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Content. Choreographer William Forsythe, artistic director of the Frankfurt Ballet since 1984, has brought about a shift of paradigms in contemporary dance. The vocabulary of his choreographies re-defines body, space, time and movement. »Improvisation Technologies«, originally intended for the professional use of the dancers of the Frankfurt ...
- William Forsythe
Choreographer William Forsythe, artistic director of the...
- Improvisation Technologies
William Forsythe: Improvisation Technologies. A Tool for the...
- The Lectures
The website Improvisation Technologies – The Lectures is the...
- Deutsch
Im zeitgenössischen Tanz hat William Forsythe,...
- William Forsythe
30 giu 2023 · The Website Project. © William Forsythe. 2023. With the CD-ROM Improvisation Technologies. A Tool for the Analytical Dance Eye, William Forsythe created a unique tool for understanding his improvisational movement language over 20 years ago.
27 ott 2014 · Oggi, il Metodo di Composizione del Movimento ideato da William Forsythe si basa su concetti spaziali quali: la rotazione, l’estrusione, l’inscrizione, e la refrazione. Come viene chiaramente illustrato nel CD-Rom pedagogico, Improvisation Technologies (1999), questi concetti hanno condotto il nostro coreografo a codificare degli ...
Improvisation Technologies:Just the Basics. Nik Haffner. Observing Motion –An Interview with William Forsythe. Roslyn Sulcas. Both a New World and the Old Made Explicit. Biographical Notes. Lectures. Lines. Point-Point Line.
Program. Research. William Forsythe, Improvisation Technologies. Content of CD-ROM now accessible online. The CD-ROM William Forsythe, Improvisation Technologies—A Tool for the Analytical Dance Eye, published in 1999, was designed as a pedagogical tool for the prolific choreographer.
In 1999 the Improvisation Technologies was released as an interactive CD-ROM with book Improvisational Technologies. A Tool for the Analytical Dance Eye . This edition features some 60 video chapters in which Forsythe demonstrates and comments upon the essential principles of his motional language.
