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  1. ISBN: 978-1-4058-8229-3. The Picture of Dorian Gray was first published in complete book form in 1891 This adaptation first published by Penguin Books 1994 Published by Addison Wesley Longman Limited and Penguin Books L td 1998 New edition first published 1999 This edition first published 2008. 3 5 7 9 10 8 6 4 2.

  2. Download The Picture of Dorian Gray free in PDF & EPUB format. Download OSCAR WILDE's The Picture of Dorian Gray for your kindle, tablet, IPAD, PC or mobile.

  3. 1 ott 1994 · Oct 1, 1994. Most Recently Updated. Feb 3, 2022. Copyright Status. Public domain in the USA. Downloads. 26528 downloads in the last 30 days. Project Gutenberg eBooks are always free! Free kindle book and epub digitized and proofread by volunteers.

    • Oscar Wilde
    • English
    • 1890
    • The Picture of Dorian Gray
  4. The Picture of Dorian Gray 9 of 250 reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown with it the secret of my own soul.’ Lord Harry laughed. ‘And what is that?’ he asked. ‘I will tell you,’ said Hallward; and an expression of perplexity came over his face.

    • 629KB
    • 250
    • DORIAN GRAY
    • THE PREFACE
    • Those who find beautiful meanings In
    • There is no such thing as a moral or an im-
    • THE PREFACE
    • Those who read the symbol do so at their
    • We can forgive a man for making a useful thing as
    • CHAPTER
    • 8 THE PICTURE OF DORIAN GRAY
    • In the centre of the room, clamped to an upright
    • I have gone there, there have been either so many
    • " " I know you will laugh at me," he replied, but
    • " Too much of yourself in it I Upon my word, Basil, I didn't know you were so vain ; and I really
    • Your mysterious young friend, whose name you have
    • 10 THE PICTURE OF DORIAN GRAY
    • Dorian Gray's good looks we shall all suffer for
    • " " But why not ?
    • THE PICTURE OF DORIAN GRAY 11
    • is,

    See the Bibliographical Note on certain " Pirated and Mutilated Editions of Dorian Gray" at the end / Ihli present volume.

    THE artist Is the creator of beautiful things. T reveal art and conceal the artist Is art's aim. The critic Is he who can translate into another manner or a new material his Impression of beautiful things. The highest, as the lowest, form of criticism is a mode of autobiography.

    beautiful things are the cultivated. For these there Is hope. They are the elect to whom beautiful things mean only Beauty.

    moral book. Books are well written, or badly written. That is all. The nineteenth century dislike of Realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of Ro- manticism is the rage of Caliban not seeing his own face hi a glass. The moral life of man forms part of the subject- matter of the artist, but the ...

    No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instru- ments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the...

    peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree the artist is in accord with himself.

    long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless. OSCAR WILDE. THE PICTURE OF

    I THE studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle- bags on which he was lying, smoking, as was his custom, ...

    dim roar of London was like the bourdon note of a distant organ.

    easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist him- self, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange con- jectures. As the painter looked at the gr...

    people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the " only place." I don't think I shall send it anywhere," he answered, tossing his head back in that odd way that used to make his friends " laugh at him at Oxford. No ...

    I really can't exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed.

    can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you well, of course you have an Intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expressio...

    never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless, beautiful creature, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil : you are not in the least like hi...

    " the artist. Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders ? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the falter- ing steps of kings. It is better not to be d...

    what the gods have given us, suffer terribly." " " Dorian Gray ? Is that his name ? asked Lord Henry, walking across the studio towards Basil Hallward. " Yes, that Is his name. I didn't intend to tell It to you."

    " Oh, I can't explain. When I like people im-mensely I never tell their names to anyone. It Is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town no\v I never tell my people wh...

    never know where my wife and is, my wife never knows what I am doing. When we meet we do meet occasionally, when we dine out together, or go down to the Duke's we tell each other the most absurd stories with the most serious faces. My wife is very good at it much better, in fact, than I am. She never gets confused over her dates, and I always do. B...

    he had more to do with the making or the marring of it than poor Harry has had. He may not have intended it, the result was the same." " Murder I Good God, Dorian, is that what you have come to ? I shall not inform upon you. It is not my business. Besides, without my stirring in the matter, you are certain to be arrested. Nobody ever commits a crim...

  5. Oscar Wilde: The Picture of Dorian Grey 1 OSCAR WILDE The Picture of Dorian Gray THE PREFACE THE artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.

  6. 1 ago 2008 · Most Recently Updated. Jan 30, 2021. Copyright Status. Public domain in the USA. Downloads. 432 downloads in the last 30 days. Project Gutenberg eBooks are always free! Free kindle book and epub digitized and proofread by volunteers.

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