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  1. 19 mag 2011 · In “Sticks and Stones” Radle lays down a solid gospel/R&B groove. The accents on the “and” of 2 and 4 in the chorus really make this line move. The chord progression in the chorus is moving back and forth between Bb and F (IV-I, a very common gospel progression). Here again, Radle varies his groove relatively little.

  2. 23. Out of the Blue. Derek & the Dominoes—Layla & Other Assorted Love Songs (1970) Radle plays on all tracks. Dave Mason—Alone Together (1970) Chris Ethridge also plays bass on this album—unclear who played what at this point. Bobby Lester—Bobby Lester (1970) Radle plays on 1 track. 5.

  3. 9 nov 2023 · That was indeed Carl Radle on the slow bass parts playing with a pick. Carl, from my hometown of Tulsa, was known for playing both ways… with his fingers, and at times with a pick.

    • 7 min
  4. 12 mar 2023 · In this interview excerpt from NOTES FROM AN ARTIST RADIO / PODCAST, Bill Janovitz, author of the acclaimed Leon Russell biography The Master of Space and Ti...

    • 8 min
    • 5K
    • NOTES FROM AN ARTIST
  5. 23 mag 2021 · According to a 1976 interview published by Carl Radle Bass Lines, the late bassist said that by then, even the high school bands did not have bassists. They only had two guitarists, a drummer and the lucky ones would have a piano player. Since there was no one to teach him, Radle listened to those he considered the best players at the time ...

  6. 19 set 2019 · This is a new blog about the bass player Carl Radle (1940-1980). Radle played on recordings by Eric Clapton, George Harrison, Leon Russell, Delaney & Bonnie, J. J. Cale, Buddy Guy, Joe Cocker, and so many others. I have transcribed a lot of his bass lines and plan to post them here along with some analysis or description of them.

  7. 1 dic 2019 · Feelin' Alright. (Dave Mason) From the Joe Cocker album Mad Dogs and Englishmen. This song, written by Dave Mason and originally released on Traffic’s eponymous 1968 album, is constructed of only two chords repeated over and over. The melody and lyrics change as it moves between the verse and chorus, but the chord progression remains constant.