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In the coming years, Petipa reignited a new era in Russian and world ballet history. All the while, the 29 year old Marius enjoyed the fruits of his life's first significant and unconditional victory. The excitement of the young and successful choreographer and his exceptional acting talent captivated the troupe.
Victor Marius Aphonse Petipa ( Marseille, 1818. március 11. – Hurzuf, Krím, 1910. július 14.) francia koreográfus. Apja Jean Antoine Petipa ( 1878 - 1855 ), elismert balettmester, anyja Victorine Grasseau-Maurel ( 1794 - 1860 ), tragikus színésznő és drámatanár .
4 giorni fa · Marius Petipa (1818–1910) was one of the most influential figures of classical ballet. His choreography forms the basis of The Royal Ballet’s productions of The Nutcracker, The Sleeping Beauty, Swan Lake, Giselle, Don Quixote, La Bayadère and Coppélia, among others. Petipa was born in Marseilles. His father was a dancer and Petipa began ...
Marius Petipa fue un gran apasionado de las danzas tradicionales españolas, y sobre todo las andaluzas, como así demuestran sus ballets Don Quijote y Paquita, ballet que eligió para su presentación en San Petersburgo. Se destacó en la ejecución de los pasos de carácter y por toda Europa como primer bailarín.
14 mar 2020 · by Lynn Matluck Brooks. The fact that renowned ballet master and choreographer Marius Petipa (1818–1910) has not, until now, been the subject of a full-fledged biography came as a shock to me. Well, not really. As a dance historian, I’m aware of the many lacunae in the researched history of our art and of the difficulties in achieving ...
Marius Petipa nacque a Marsiglia nel 1818 da una famiglia di artisti. La madre, Victorine Grasseau, fu un’attrice drammatica e il padre, Jean Antoine Petipa, un rinomato ballerino e coreografo. Anche il fratello maggiore, Lucien Petipa, fu ballerino e maître de ballet all’Opéra di Parigi. Trasferitosi con la famiglia a Bruxelles, fu ...
Marius Petipa (1818-1910), son of the French ballet master Jean Petipa, made his debut as dancer in 1828, in a version of Pierre Gardel’s Le Dansomanie staged by his father. In 1847, he was engaged as a dancer with the Imperial Theatres in St Petersburg. Seven years later, he became a teacher at the Imperial Ballet School in the same city.
