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  1. 6 feb 2021 · Dopo Un marito ideale, Oliver Parker ritorna con un’opera di Oscar Wilde, trasportando sullo schermo, in maniera brillante, la commedia teatrale in tre atti “L’importanza di chiamarsi Ernest”. Un’opera scritta nel 1895 e rappresentata per la prima volta al St James’s Theatre di Londra. Raffinata e sarcastica, il film segue la stessa ...

  2. 21 giu 2002 · The Importance of Being Earnest: Directed by Oliver Parker. With Rupert Everett, Colin Firth, Frances O'Connor, Reese Witherspoon. In 1890s London, two friends use the same pseudonym ("Ernest") for their on-the-sly activities.

    • 2 min
    • 159
  3. 15 nov 2022 · The Importance of Being Earnest, a play by Oscar WILDE (1895). Full film version, 1952. Audio: ENGLISH. Subtitled: ENGLISH – ESPAÑOL – DEUTSCH.The best know...

    • 92 min
    • 19,5K
    • old_45
  4. Welcome to a delightful journey through Oscar Wilde’s masterpiece, “The Importance of Being Earnest.”. This play, first performed in 1895, is a brilliant satire of the Victorian era’s social mores and attitudes, especially concerning marriage and the pursuit of love. Wilde, known for his sharp wit and flamboyant style, was one of the ...

  5. Passioni e desideri. L'importanza di chiamarsi Ernest è oggi al numero 7931 nella classifica quotidiana degli streaming di JustWatch. Il film è salito di 7121 posizioni nella classifica rispetto a ieri. In Italia, è più popolare di The Myth - Il risveglio di un eroe ma meno popolare di Iliza Shlesinger: Hot Forever.

    • 97 min
  6. 20 apr 2019 · A star-studded BBC film of Oscar Wilde’s glittering and controversial career before his trial for homosexual crimes and tragic fall from grace. Highlights from Oscar’s brilliant comedies such as The Importance of Being Earnest and stories such as The Picture of Dorian Gray and The Canterville Ghost are adapted and performed by a cast including Freddie Fox, Claire Skinner, Anna Chancellor ...

  7. The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian ...