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クリストファー・マーロウ （ Christopher Marlowe 、 洗礼 日 1564年 2月26日 - 1593年 5月30日 [1] ）は、 イギリス （ イングランド ）の 劇作家 、 詩人 、 翻訳 家。. 大学才人 。. エリザベス朝 時代に活躍。. 華麗な無韻詩（ ブランクヴァース ）で知られる。. 代表 ...
Christopher Marlowe is a good example of an individual caught up in the intrigue and danger of court life who might long to escape to the seemingly simple, leisurely life of the rustic shepherd. Although not born into the nobility, Marlowe attended Cambridge University, then moved to London where he moved in court circles and wrote the plays that secured his fame.
Christopher Marlowe, baptized on 26th February 1564, was a prolific playwright, poet, and translator during the Elizabethan era. Renowned for his contributions to English literature, Marlowe's impact on the literary scene was substantial and his influence profound. Marlowe's works, characterized by their overreaching protagonists and innovative ...
Christopher Marlowe, La tragica storia del Dottor Faust. scolastica nella filosofia moderna, si ergono le figure di tre possenti visionari della poesia e della letteratura mondiale che hanno dominato tutta l’età elisabettiana, lasciando una ricchissima e multiforme eredità culturale. I loro nomi sono: Christopher Marlowe, William ...
Christopher Marlowe. Christopher Marlowe (26 tháng 2 năm 1564 – 30 tháng 5 năm 1593) – nhà thơ, dịch giả, nhà viết kịch Anh, một trong những nhà viết kịch lớn nhất thời đại Elizabeth và là người tiền nhiệm xuất sắc nhất của William Shakespeare. Marlowe là một tài năng xuất chúng ...
Christopher Marlowe Canterburyben nőtt fel. A Cambridge-i Egyetem-re szerzett ösztöndíjat, majd ott szerzett főiskolai bölcsész diplomát 1584-ben. 1587-ben ugyan a királyi tanács közbenjárásával egyetemi diplomát szerzett, de az egyetem egy ideig habozott, ugyanis egy pletyka szerint Marlowe átkeresztelkedett a római katolikus ...
Christopher Marlowe - Plays, Poetry, Influence: In the earliest of Marlowe’s plays, the two-part Tamburlaine the Great (c. 1587; published 1590), Marlowe’s characteristic “mighty line” (as Ben Jonson called it) established blank verse as the staple medium for later Elizabethan and Jacobean dramatic writing.
