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Both Sides is the fifth solo studio album by English singer-songwriter Phil Collins. Featuring an adult-oriented soft rock -based sound, released on 8 November 1993 [11] by Virgin in the UK and Atlantic in the US. Collins created the album entirely by himself, without any collaborations from outside songwriters and performers.
Both Sides, Now. " Both Sides, Now " hay " Both Sides Now " (tên tiếng Việt: " Hai khía cạnh cuộc đời ") là một ca khúc được viết bởi Joni Mitchell. Bài thâu của bà xuất hiện lần đầu tiên trong đĩa nhạc Clouds, phát hành năm 1969. Bà có thâu bản này một lần nữa chơi theo kiểu nhạc ...
Both Sides è il quinto album da solista del cantante britannico Phil Collins, pubblicato il 9 novembre 1993 dalla Atlantic Records . Si tratta del lavoro più introspettivo dell'artista, che registrò l'album in completa solitudine nel suo studio casalingo, suonando tutti gli strumenti e senza la collaborazione di altri musicisti.
Both Sides Now è il decimo album in studio del cantante di musica country statunitense Willie Nelson, pubblicato nel 1970. Tracce. Crazy Arms (Ralph Mooney, Charles Seals) Wabash Cannonball (A.P. Carter) Pins and Needles (In My Heart) (Willie Nelson, Floyd Jenkins) Who Do I Know in Dallas (Nelson, Hank Cochran)
So the lyrics deserve careful consideration. ‘Both Sides Now’: song meaning. The song has what might be considered a tripartite structure, which sees the singer considering three things: clouds, love, and life. Beginning with the specific (clouds), and moving to the more general (love), before concluding with the universal (life), the ...
Its closing song, “Both Sides, Now”, one of only two from her own songbook, acts as a summation of all that she has learned about love: that its meaning continues to evade her, even after all these years. It was a conclusion that sounded less forceful when Mitchell first started singing the song in the folk clubs of Philadelphia in 1966.
Both Sides Now contains the country standards "Wabash Cannonball" and "Crazy Arms," but what is most striking about the collection is the inclusion of material far beyond the confines of Nashville, as Streissguth notes: "Willie's own songs were as pleasing as ever, at home in a coffeehouse or a honky-tonk, but now they appeared next to his ...
