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Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons’ first haute couture collection as its new artistic director—a true labor of love created by a dedicated group of collaborators.
Based on the result of this research, it is found that there are three types of code switching in Dior and I film by Hoffman (1991), such as inter-sentential switching, intra-sentential switching and emblematic/tag switching. It was clear that inter-sentential switching was more frequently types found in Dior and I film.
5. Types of Code Switching. The researcher in this research used categorization of code switching types based on Hoffman (1990) theory. Hoffman identified the following types such as inter-sentential code switching, tag switching, and intra-sentential code switching. a.
Tom Long Detroit News If only "Dior and I" told us why we should care. Rated: C May 1, 2015 Full Review Kimberley Jones Austin Chronicle A piece of Dior haute couture to hang in the closet is ...
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5 mag 2015 · Alla maison Dior s'insedia il nuovo direttore artistico Raf Simons, con un'esperienza (anche presso Jil Sander) per il pret à porter maschile. Il gruppo di 30 avenue Montaigne gli chiede di onorare la tradizione del marchio, dettata dal leggendario couturier (1905-1957) in soli 10 anni di attività, ma anche di innovarla.
9 apr 2015 · Like “Ballet 422,” Jody Lee Lipes’s recent film about the choreographer Justin Peck, “Dior and I” generates momentum and interest by showing deadline-driven creative work.
Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture collection as its new artistic director. IMDb 7.2 1 h 29 min 2015. R. Documentary · Special Interest · Edifying · Understated.
