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William Holman Hunt, de son vrai nom William Hobman Hunt, né à la Cité de Londres le 2 avril 1827 et mort à Kensington (Londres) le 7 septembre 1910, est un peintre britannique qui a fait partie des fondateurs de la confrérie des préraphaélites.
William Holman Hunt OM was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a ...
William Holman Hunt OM was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism.
Couple (detail), William Holman Hunt, The Awakening Conscience, 1853, oil on canvas, 76.2 x 55.9 cm (Tate Britain, London; photo: Steven Zucker, CC BY-NC-SA 2.0) However, Hunt offers a new twist on this story. The young woman springs up from her lover’s lap. She is reminded of her country roots by the music the man plays (the sheet music to ...
Hercules, shoes and irises (detail), William Holman Hunt, The Lady of Shalott, c. 1888–1905, oil on canvas, 74 1/8 X 57 5/8 inches ( Wadsworth Atheneum Museum of Art) Hunt was a religious man, and included elements that may be interpreted as Christian symbolism—a pair of empty shoes and two purple irises. In the Bible shoes are often ...
Il preraffaellita William Holman Hunt [...] percorse gran parte della Palestina alla ricerca appassionata di luoghi e di persone che gli consentissero un'adeguata ricostruzione di scene cruciali dei Vangeli [...]. Proprio perché si sente l'ultimo testimone di un mondo in via di un lento ma inesorabile mutamento, la sua ricostruzione di scene ...
23 feb 2020 · William Holman Hunt, 1885, photographed by Herbert Rose Barraud At the Royal Academy Hunt met the painters John Everett Millais and Dante Gabriel Rossetti , who would become lifelong friends. The three men shared a disdain for the entrenched, traditional teaching methods of the Academy, which focussed on copying classical ideals and working against heavy, dark backgrounds.
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