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Its a real shame that when 'Crossplot' was originally released back in 1969, it didn't actually rate that highly. I thought it had an extremely good plot and the characters were realistic enough to make the whole film quite believable. Considering it is quite an old film in today's standards I thought the quality of picture and sound was ...
- DVD
Moore's office: later scenes have fake backdrops of St. Paul's. Nick Williams advises that this is Sudbury House, 15 Newgate Street, London EC1, demolished in 1998 The building was used in 'Darling' and 'Zeta One' as well as Gerry Anderson's UFO television series, in which it appeared as the International Astrophysical Commission, and his The Protectors episode 'Wheels' when it was a bank.
31 ott 2014 · Roger Moore’s 1969 film Crossplot is like a cross between an episode of The Saint and a James Bond film. Moore plays talent scout Gary Fenn, who is identical in appearance to The Saint character Simon Templar except he has a more fashionable haircut that’s combed forward with longer sideburns. The Cyril Castle suits—an iridescent blue […]
Added higher quality images and star ratings to the cars already listed and completed the film. Too background Morris Minor: Sandie 2012-08-28 21:09. A few more veteran cars: Bus: Very, very cheesy movie. jcb 2012-08-28 21:09. Ooh goody old brit stuff !! Sandie 2012-08-28 21:14. I need to find more films from this era.
Crossplot is a 1969 film starring Roger Moore. Belgian actress Claudie Lange was also featured in her largest English-speaking role. [1] Bernard Lee , famous for his role as M in the James Bond films , also appeared.
Crossplot rattles along at a breakneck pace and is a smart, ingenious and enormously entertaining adventure film. Roger Moore is great in a pre-Bond role as an advertising executive who hires a beautiful Hungarian girl to pose for some modelling shots.
Crossplot (1969) – Imprint Collection #344. Worldwide first on Blu-ray! Roger Moore stars in a thrilling race against time to stop an assassination plot. Suave advertising executive Gary Fenn is living the good life. But the good life turns bad when someone tries to kill a beautiful model and frame him for the murder.
