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Jean Philippe Rameau was born in Dijon on Sept. 25, 1683, the son of a provincial organist. It is presumed that he studied with his father, no other formal training being known. He was in Italy in 1701 and then served as organist for a time at Clermont-Ferrand. In 1706 he was in Paris, where his first collection of harpsichord pieces was published.
Jean-Philippe Rameau (ur. 25 września 1683 w Dijon , zm. 12 września 1764 w Paryżu ) – francuski kompozytor i teoretyk muzyki okresu baroku , autor oper , baletów i utworów klawesynowych .
Jean-Philippe Rameau (1683-1764) ha lasciato un corpus di oltre 130 composizioni. Per scoprire il suo repertorio, la domanda è: da dove cominciare? Forse dalle sue composizioni principali e dalle opere più famose. Ma quali sono le opere più note o più importanti di Jean-Philippe Rameau?
Jean-Philippe Rameau (Dijon, 25 de septiembre de 1683-París, 12 de septiembre de 1764) fue un compositor, clavecinista y teórico musical francés, muy influyente en la época barroca. Reemplazó a Jean-Baptiste Lully como el compositor dominante de la ópera francesa y fue duramente atacado por aquellos que preferían el estilo de su predecesor.
Category:Rameau, Jean-Philippe. A list of works in the composer category that are not included here can be found on this page. Please consult the manual of style for creating composer work lists. "RCT" numbering refers to Rameau Catalogue Thématique established by Sylvie Bouissou and Denis Herlin (CNRS Édition et Éditions de la BnF, Paris 2007).
6 gen 2015 · Rameau’s music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent. Jean-Philippe Rameau (1683-1764). Composer and Theorist.
Jean-Philippe Rameau. Jean-Philippe Rameau (1683 – 1764), compositore e teorico musicale francese. Citazioni di Jean-Philippe Rameau [modifica] Per gioire pienamente degli effetti della musica, bisogna essere in un puro abbandono di se stessi. Pour jouir pleinement des effets de la Musique, il faut être dans un pur abandon de soi-même.
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