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10 ore fa · Pirrotta (“Monteverdi’s Poetic Choices,” 296–97) views the text as a ballata missing its final volta. This is how Guarini cast it in his Rime, although the first version of the poem (in Licino’s Rime di diversi celebri poeti dell’età nostra of 1587) was longer (fourteen lines rather than eleven) and less regular. 86.
1 giorno fa · Concertul Extraordinar "Madrigal cântă copiilor" la Patriarhia Română Duminică, 2 iunie 2024, de la ora 17:00, Corul Naţional de Cameră "Madrigal - Marin Constantin", dirijat de Cezar Verlan, invită publicul la Concertul Extraordinar "Madrigal cântă copiilor", desfăşurat la Aula Magna "Teoctist Patriarhul" a Palatului Patriarhiei din Bucureşti
4 giorni fa · Jadwal bioskop Golden Theater Kediri hari ini tanggal 19 Mei 2024, film yang sedang tayang di bioskop Golden Theater Kediri di antaranya Totto-chan: The Little Girl At The Window, Cash Out, Possession: Kerasukan, Tarot, If: Imaginary Friends, Kingdom of the Planet of the Apes, Do You See What I See: First Love, The Architecture of Love (TAOL), Vina: Sebelum 7 Hari.
4 giorni fa · Todo empezó con una vela mágica hace 50 años, luego una puerta mágica que se desvaneció en el quinto cumpleaños de una pequeña Mirabel Madrigal y una década después la ceremonia del miembro menor de la familia Madrigal.
10 ore fa · Not everyone would have agreed with him. Vincenzo Giustiniani ended his survey (c. 1628) of music in his lifetime on a rather ambivalent note.He appreciated the delights of contemporary singing, but he lamented the decline of the polyphonic madrigal and the increasing emphasis on music as a listener’s art rather than one in which learned connoisseurs could actively participate.
10 ore fa · BibliographyAgee, Richard J., “The Venetian Privilege and Music-Printing in the Sixteenth Century,” Early Music History 3 (1983): 1–42.Arrigoni, Giovanni G
10 ore fa · Then comes the twist. In these three madrigals, the characters exploiting their musical talents are all female. But in “La vaga pastorella,” the lover pursuing the charming shepherdess is a bearer of suffering (“carco di martiro”), and he begs her not to flee because he is at death’s door (“ch’io mi sento a morire”).
