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  1. 26 apr 2024 · Redman continues with “Fear forms hate in faithless fight, Love that leaves,” emphasizing the destructive power of fear and the impact it has on love and compassion. The second verse brings a glimmer of hope, questioning if we can feel the distant light and mend the broken mirrors that subtract our sight.

  2. Distributed by Columbia House, under license, 5900 Finch Ave. E., Scarborough, Ontario, M1B 5X7. Made in Canada. Recorded live to two-track analog at The Village Vanguard, NYC on March 21-26, 1995. Remote recording facilities : Effanel Music Inc., NYC. Live Sound by Paul Boothe.

  3. Joshua Redman Elastic Band - Jazz Crimes (Live) ... Feel Like Makin' Love. Toshiki Soejima & Kyohei ... Bob Berg Tenor You The Night And The Music Tenor Saxophone ...

  4. 6 ott 2017 · This was by far the most difficult Groove of The Week track for me to get the hang of; I’m not claiming to even be in the same ballpark, feel-wise, but here are my two cents: Listen, listen, listen. Then listen some more – every aspect of the music needs to be in your bones. Record yourself. Listen critically (analyse your waveforms, if ...

  5. 9 gen 2009 · Joshua Redman: Compass. (Nonesuch) John Fordham. Thu 8 Jan 2009 19.01 EST. T he year has begun with a rush of output from fine saxophonists with fine bands: Julian Siegel and soon Julian Arguelles ...

  6. 18 set 1998 · With this intriguing breadth of repertoire and Redman's customary passion and virtuosity, Timeless Tales (For Changing Times) is a stunning collection of modern standards interpreted by one of the preeminent figures in contemporary jazz. Performed with longtime collaborators Brad Mehldau, Larry Grenadier, and Brian Blade, Joshua's arrangements ...

  7. 24 set 2023 · Taken individually, they are all lovely, well-sung and well-played performances. The contributions of the four guest stars add some sizzle to their respective tracks and Redman with his core quartet is always solid but, taken as a whole, this album is less than the sum of its parts. It could have been so much more.