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For the Dying Gaul we ask the question about the “source” of the sculptural object and the “effect” of the sculptural object (Gosden 2005, 207-208). From literary sources and inscriptions, we know that the Pergammene sculptor Epigonos sculpted the original bronze Dying Gaul, erected in the precinct of Athena in Pergamon.
The Dying Gaul. The Dying Gaul ( El galo moribundo) es una película estadounidense dirigida por Craig Lucas y basada en la obra teatral homónima, que tomó su nombre de la estatua El gálata moribundo .
The Dying Gaul è un film del 2005 scritto e diretto da Craig Lucas, tratto dall'omonima piéce off-Broadway, datata 1998, dello stesso Lucas.. Il titolo è un chiaro riferimento all'opera scultorea nota come il Galata morente, celebre copia marmorea romana di un'opera ellenistica, databile intorno al 230-220 a. C. circa ed ormai perduta, realizzata dallo scultore di Pergamo Epigono.
Accession. Inv. 8608. The Ludovisi Gaul (sometimes called "The Galatian Suicide") is an ancient Roman statue depicting a Gallic man plunging a sword into his breast as he holds up the dying body of his wife. This sculpture is a marble copy of a now lost Greek bronze original. The Ludovisi Gaul can be found today in the Palazzo Altemps in Rome.
The Dying Gaul is a 2005 American drama film written and directed by Craig Lucas, his feature directorial debut. The screenplay is based on his 1998 off-Broadway play of the same name, [2] the title of which was derived from an ancient Roman marble copy of a lost Hellenistic sculpture.
8 mag 2024 · The 2,000-year-old sculpture of the Dying Gaul is a larger-than-life marble sculpture of a nude man on the ground holding himself with one arm, resting weakly on an outstretched leg. His hand sits atop a broken sword on the ground and his head bent downward, the man is dying from a chest wound. The statue has been rediscovered in the early 17th ...
The Dying Gaul is a psychological thriller in the Hitchcock tradition. It plays like a Greek tragedy, thick with intrigue, betrayal, and revenge. Craig Lucas enters the indie scene as a director with an audacious first feature adapted from his successful play.
