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27 mar 2024 · Francis Davis is Professor of Social Institutions and International Studies at Bishop Grossteste University, Lincoln, UK and Visiting Professor at Queen Mary, University of London (Mile End Institute).
Professor Davis previously taught social sciences at Oxford (where he held a Fellowship), at Cambridge and at a number of business schools, where his mid-career students included mayoral candidates in major Southeast Asian cities, advisors to Presidential candidates in the Global South, leaders in the refugee and UN sectors and those now in the leadership of tech and other private sector firms ...
4 giu 1992 · Outcats: Jazz Composers, Instrumentalists, and Singers. Reprint Edition. With his essays on jazz for a variety of publications, including The Atlantic, 7 Days, and The Village Voice, Francis Davis has established himself as a major voice in jazz criticism. In the Moment, his first collection, published in 1986, won praise from both the jazz and ...
- Francis Davis
Appointed U. S. representative to the Paris Universal International Exposition where he was in charge of decoration of the Government Pavilion, and was a member of the Jury of Selection and the Fine Arts Jury; awarded Chevalier de la Legion of Hounneur by the French government in appreciation for his services to the Paris Exposition.
Francis Davis' Last Review. Jazz Critic Francis Davis will review "Birth of a Notion," the first album by Shadow Vignettes, a 25-member ensemble, led by Chicago-based saxophonist and composer Edward Wilkerson.
14 feb 2023 · Francis Davis is a writer and journalist from the United States. He is best known for being The Village Voice’s jazz critic and a contributing editor for The Atlantic Monthly. He has also worked in radio, and movies, and taught classes at the University of Pennsylvania about jazz and blues. In 1994, he was given a Pew Fellowship in the Arts.
5 nov 2002 · Like Young: Jazz, Pop, Youth, and Middle Age. Paperback – November 5, 2002. Francis Davis is one of this nation's savviest and most admired music and cultural critics. In this collection of essays he observes the modern jazz and pop that have reached middle age at the same moment as many of their listeners, including the author.
- Francis Davis
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