Risultati di ricerca
An icon used to represent a menu that can be toggled by interacting with this icon.
The Fright of Real Tears: Krzystof Kieslowski between Theory and Post-Theory. Capa dura – 1 dezembro 1999. In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory, arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive.
The Fright of Real Tears豆瓣评分：0.0 简介：In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory. Arguing that the reading of Lacan operative in the 1970s and 1980s was particularly re
In this study the author challenges both cognitivist-historicist accounts of cinema and conventional film-theory, arguing that the reading of Lacan operative in the 1970s and 1980s was particularly reductive.
4 ott 2019 · 作者：Slavoj Žižek (The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post Theory)译者：csh. 译文首发于《虹膜》 在2000年的夏天，德国所有的大城镇都出现了一张令人不安的广告海报：它描绘了一个二十岁左右、呈坐姿的女孩，她的右手中拿着一个电视遥控器，她用一种顺从而挑逗的方式凝望着观者。
Ecstatic Static
Review(s) of: The fright of real tears: Krzysztof kieslowski between theory and post-theory, by Slavoj Zizek, British Film Institute, London, 2001. Skip to search form Skip to main content Skip to account menu
