Risultati di ricerca
A documentary about the great filmmaker Sergei Parajanov and his attempts to create great art in the face of state persecution.
8/10. Shocking, amazing, beautiful!!!!! jeongk 5 October 2003. Someone wrote that nobody can describe Paradjanov because he was unique man and artist. I am in love with Paradjanov and I want write and describe his movies everyway even if is wrong. I was very happy to see Last Spring film because I understood life and movies of Paradjanov more ...
Filmed in wartime and edited under candlelight, Mikhail Vartanov's rarely-seen masterwork tells of his friendship with the genius Sergei Parajanov who was arrested by KGB, at the height of his fame, for the outspoken criticism of the Soviet regime. Vartanov resurrects the riveting scenes from his banned 1969 film, The Color of Armenian Land, where Paradjanov concocts the chef-d'oeuvre Sayat ...
Vartanov takes us back with scenes from his shelved 1969 film Cvet Armjanskoj Zemli ( The Color of Armenian Land) where Parajanov is at work on his suppressed chef-d’oeuvre The Colour of Pomegranates, as well as unpublished letters Parajanov wrote to Vartanov from prison, and Parajanov’s striking last day at work in 1990 during the making of the unfinished Confession.“Parajanov’s ...
PARAJANOV.com – Vartanov’s Parajanov: The Last Spring \ Параджанов Последняя весна, режиссер Михаил Вартанов.
Parajanov writes, directs, choreographs, works on costumes, design, decor and nearly everything else, as depicted in Mikhail Vartanov‘s two documentaries, The Color of Armenian Land (1969), filmed during the making of The Color of Pomegranates, and Parajanov: The Last Spring (1992), in which he tells us what he had witnessed: “Parajanov dominated the location.
The Color of Pomegranates [a] is a 1969 Soviet Armenian art film written and directed by Sergei Parajanov. [1] [2] The film is a poetic treatment of the life of 18th-century Armenian poet and troubadour Sayat-Nova. [3] It has appeared in many polls as one of the greatest films ever made [4] [5] and was hailed as revolutionary by Mikhail Vartanov.
