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“A contemporary of Yasujiro Ozu and Kenji Mizoguchi, Mikio Naruse (1905-1969) achieved a style that somewhat resembles both, yet remains unique among the old masters of the Japanese cinema. Like Ozu, Naruse generally avoids camera movement, large action, broad exterior settings, and periods other than the present. Like Mizoguchi, he concentrates on the feminine side of life. But Naruse's ...
8 set 2008 · “The Cinema of Naruse Mikio presents not only a deft and subtle run-through of the world of an important auteur, but also a virtual encapsulation of the intellectual history of Japanese cinema during its most important period, the 1930s–60s. Catherine Russell contextualizes Naruse in the commercial situation in which he worked and in
Mikio Naruse, an acclaimed director in Japanese cinema, was renowned for his insightful portrayals of women and their struggles in post-war Japanese society.His films, often categorized as being in the genre of “Melodrama,” tend to feature ordinary women grappling with the realities of life, showcasing his deep understanding of human relationships and societal constraints.
23 set 2019 · Mikio Naruse is often overshadowed by more famous Japanese directors, even though his resume is brimful of classic films. His directing style might be less unique than that of Ozu or Mizoguchi, but he still made films on par with Japan’s leading directors in the post-war era.
Mikio Naruse was a Japanese film director and screenwriter who was active from the 1930s through the 1960s. Despite being less well-known internationally than some of his contemporaries, Naruse was highly regarded in Japan for his sensitive and nuanced depictions of women and his exploration of the complexities of human relationships.
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Mikio Naruse (August 20, 1905 – July 2, 1969) was a Japanese filmmaker, screenwriter, and producer who directed some 89 films spanning the period 1930 (towards the end of the silent period in Japan) to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook.
