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14 februari 1895. Plats. St James's Theatre, London. Originalspråk. Engelska. Genre. Komedi. Mister Ernest (original: The Importance of Being Earnest, A Trivial Comedy for Serious People[ 1] ), är en teaterpjäs, en komedi av Oscar Wilde från 1895. [ 2] Pjäsen hade premiär första gången den 14 februari 1895 i London .
The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian ...
The Importance of Being Earnest was described by its author, Irish playwright Oscar Wilde, as ‘by a butterfly for butterflies’. It is a story of courtships, betrothals and confused identities in which two young men – Jack Worthing and Algernon Moncrieff – pursue two young women who are both determined to marry someone called Ernest.
Oscar Wilde’s comic jewel sparkles in Anthony Asquith’s film adaptation of The Importance of Being Earnest. Featuring brilliantly polished performances by Michael Redgrave, Joan Greenwood, and Dame Edith Evans, the enduringly hilarious story of two young women who think themselves engaged to the same nonexistent man is given the grand Technicolor treatment.
Sinopsis The Importance of Being Earnest. Mai mult. Anglia anilor 1890. Doi tineri, la inceput buni prieteni, Jack Worthing si Algernon Moncrieff, folosesc acelasi pseudonim - Ernest, in scopuri diferite. Primul vrea sa-si ascunda de lume si de rudele prea curioase escapadele tineresti mai ales ca se va casatori cu o frumoasa tanara, pazita ...
Synopsis: Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not. Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. "The Importance of Being Earnest." Eating as usual, I see, Algy.
10 set 2012 · But all the actors are up against Parker's mortal dread of being boring. In this respect, the film goes to the opposite extreme of Anthony Asquith's static 1952 version. Parker encourages everyone ...
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