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Christoph Hochhäusler: You can see in my work a movement towards questions about society and systems. When I started out, I was very suspicious of topical films, of films that were about something, because I often have the feeling that films that have a clear sense of what they want to criticize end up compromising their cinematic qualities, their visual language.
Tema Natale di Christoph Hochhäusler, Oroscopo Personalizzato, Data di nascita, Astrologia, Biografia da Wikipedia, Compleanni, Cancro Oroscopo di Persone famose/celebrità, filmography IMDb.com, Movies IMDb.com. Tema Natale: Christoph Hochhäusler Biografia da Wikipedia, Bio, Età, Christoph Hochhäusler Data di nascita (* 10 Luglio 1972, Germany), director, instagram, Segno Zodiacale (Segno ...
10 feb 2003 · This is the story of Sylvia, who looses her stepchildren on a shopping trip in Poland. For fear of loosing her husband's love, too, she is unable to tell him what has happened and returns home, pretending anything is fine. When realising the missing of his children, the father starts a desperate retrieval. He is ready to give up anything in order to find them. Sylvia supports him in any way ...
4 ago 2023 · Hochhäusler’s ongoing experimentation with genre filmmaking over two decades is defined less by a repetition of sameness (stylistic or otherwise) than by a series of transitions from one film to the next that reflect a restless, curious mind of an auteur who always rejected the facile binary of arthouse-versus-genre (or commercial) filmmaking and instead has consistently advocated for a ...
That Christoph Hochhäusler originally studied architecture is immediately obvious from The City Below. An important role in the film is reserved for the architecture of the financial centre of Frankfurt: plenty of glass, steel and skyscrapers. Bigwigs look down from their skyscrapers on the ordinary world far below them.
7 mar 2023 · Christoph Hochhäusler: I don't know if the wall is a symbol. But the obstacle of this wall or the protection it offers naturally enables a certain kind of personal opening up. It's an alienation device, a hindrance that is very present in our day and age. You can make love on Zoom or Skype. I'm interested in that.
