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  1. en.wikipedia.org › wiki › Kray_twinsKray twins - Wikipedia

    Ronald and Reginald Kray were born on 24 October 1933 in Haggerston, East London, to Charles David Kray (1907–1983) and Violet Annie Lee (1909–1982).The Krays were thorough Eastenders – Charles from Shoreditch and Violet from Bethnal Green – and were apparently of mixed Irish, Austrian Jewish and Romanichal descent, [4] [5] [6] although this has been disputed. [7]

  2. Kaitlyn Aurelia Smith is an American composer, performer and producer, originally from the Pacific Northwest [1] and currently based in Los Angeles. [2] Her work prominently employs Buchla modular synthesizers.

  3. The SpongeBob Movie: Sponge on the Run is a 2020 American computer animated/live action comedy-adventure movie based on Nickelodeon's SpongeBob SquarePants.The movie was shown in theaters on August 14, 2020 in Canada and on Netflix in other countries due to pandemic. [5]

  4. Reggie Watts und die Late Late Show Band komponierten das Titellied. [11] Die Daily Mail schrieb hierzu: „Corden hofft, im Abspann auf einem BMX-Rad durch Los Angeles fahrend zu sehen zu sein, das CBS-Studio erreichend und umgeben von weiteren talentierten Darstellern.“ [ 12 ] Ausführende Produzenten sind Rob Crabbe und Ben Winston. [ 13 ]

  5. 30 giu 2021 · (Original airdate: 06/22/11) Reggie tries out different kinds of music until he finds a type he likes.More CONAN @ http://teamcoco.com/videoTeam Coco is the ...

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  6. (stylized as Why S#!+ So Crazy? on the DVD cover) is a one-hour stand-up comedy special by Reggie Watts, aired and then released as a dual DVD/CD package by Comedy Central in 2010. The special features Watts in live performance at New York venues Galapagos, The Bellhouse, and Le Poisson Rouge, bookended with brief sketches and a music video of Watts' "Fuck Shit Stack".

  7. With electronic effects, a formidable imagination and his unique voice, Reggie Watts wows audiences with virtuosic performances combining comedy, music and improvisation. The New York Times called Spatial (Watts’ debut Netflix special) “a giddy rush of escapist nonsense” and dubbed Watts “the most influential absurdist in comedy today.”