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As with much of Cherry’s work, these paintings offer a contradictory viewing experience: the bright colours and flat, graphical style create a readable aesthetic that is not dissimilar to illustrations in children’s books – her work was often used in the educational workshops that the Cherrys ran – while the image itself is shapeshifting and ambiguous.
22 ago 2023 · Breakfast at Tiffany’s, 1979, tapestry, textile appliqué, 100 x 100 cm. Courtesy Cherry Cherry Archive, Estate of Moki Cherry. There is joy and disquiet in Cherry’s universe: the trip could go either way, and feminism informs much of her work’s tension: included is a notebook from around 2004–06 in which she wrote, ‘I was never trained to be a female so I survived by taking a ...
MOKI CHERRY. “…everything is connected and interdependent, including what we cannot see by the bare eye.”. Moki Cherry, 2007.
En resa oändlig. Möt Moki Cherrys konst i en fördjupande text av utställningens båda curatorer; Elisabeth Millqvist och Andreas Nilsson. Moki Cherrys (1943–2009) färgstarka konst förenar textil, måleri, skulptur och scenografi. Kvinnodebatten stormade på 1960-talet, arbetslivet väntade men de rådande könsrollerna innebar ...
Corbett vs. Dempsey, 2021, Softcover, 120 pages, 28 × 23 cm Contributions by Texts by Evie Ward, John Corbett, Lisa Alvarado, Christina Forrer, Naima Karlsson Communicate, How? assembles a selection of Moki Cherry’s most significant works, all of them drawn from the schoolhouse in Sweden where the family archives still
Communicate, How?: Paintings and Tapestries, 1967 - 1980 The catalog was produced on the occasion of the exhibition Moki Cherry Communicate, How?: Paintings and Tapestries, 1967 – 1980 September 3, 2021 – October 9, 2021 Text: Evie Ward John Corbett Lisa Alvarado Christina Forrer Naima Karlsson Publication Editor Katie Cato Design David ...
Join us for the preview of Moki Cherry: Here and Now, the first solo exhibition in a UK institution of Swedish artist, designer and educator Moki Cherry (1943 – 2009).). Displaying over 30 artworks and archival material, it gives an insight into her expansive and collaborative practice across textile, sculpture, painting, drawing, writing, collage and vi
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