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Un film di Jesse V. Johnson con . MYMONETRO® Indice di gradimento medio del film tra pubblico, critica e dizionari + rapporto incassi/sale (n.d.)
25 giu 1999 · The Debt Collector: Directed by Anthony Neilson. With Billy Connolly, Ken Stott, Francesca Annis, Iain Robertson. Mean, gritty, dirty, and low - and that's just Policeman Gary Keltie (Ken Stott) out for retribution for the horrendous crimes against the helpless people of Edinburgh, Scotland during the 1970s by notorious, torturous, and killer debt collector Nickie Dryden (Sir Billy Connolly).
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The Debt Collector. Film Action 1h34 2018. Lecture. Partager. Un homme entraîné aux arts martiaux devient recouvreur de dettes et se retrouve dans une situation des plus inextricables, qui met sa sécurité en jeu. De : Jesse V. Johnson. Avec : Scott Adkins,David No,Michael Paré. Pays : États-Unis d'Amérique,Royaume-Uni.
Synopsis. Violence first. Questions later. A classically-trained martial artist goes to work as a debt collector for the mob. The job seems easy enough, until one “client” pulls him into a situation deeper than could ever be expected. Remove Ads.
The Death Collector. The Death Collector (also known as The Family Enforcer) is a 1976 low-budget crime film directed by Ralph De Vito and starring Joseph Cortese, Joe Pesci and Frank Vincent. It was Ralph De Vito's only film as a director, and Joe Pesci's first billed appearance in a movie. Pesci and Vincent's performances in the film were met ...
January 21, 2015. Daniel is a former police officer turned debt collector. Now in his late fifties, he goes about his "dirty job" without emotion or sympathy. One winter's day, he stops at a roadside parking lot and is approached by Laura, an 18-year-old young woman who asks him to drive her home.
I wasn't the biggest fan of The Debt Collector, but the roadtrip hangout Debt Collectors is a strong improvement. More confident pace, more varied action, more assured performances from the co-leads. Adkins and Johnson clearly haven’t gotten Avengement out of their systems because the brawls and Adkins’ attitude pulse with that film’s bruising slugfest intensity.
