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  1. 3 giorni fa · Wed Mar 22, 2023 4:03 am. ShaheedMalik wrote: I would love to see DaVinci Wide Gamut versions of the Kodak 2383 & the Fujifilm 3513DI LUTs come included with Resolve. Yes, Rec709 and P3 versions are there, but with the advent of HDR, I feel accurate versions of each need to be added for maximum flexibility. there is no such thing of "hdr film ...

  2. 4 giorni fa · Re: Color grading : Film look VS commercial look. Sun Jun 23, 2024 3:27 am. The difference is what the clients want. Now that the cat #19 is out of the bag, test it as much as you can and use the subforum. Studio 18.6.6, MacOS 13.6.7, 2017 iMac, 32 GB, Radeon Pro 580. MacBook M1 Pro, 16 GPU cores, 32 GB RAM. Sonoma 14.5 with 19b3 (sandbox)

  3. 3 giorni fa · Arjun Kapoor has taken the internet by storm with his latest Instagram post, revealing a striking and intense look from the upcoming film Singham Again. The post, shared on his official account ...

  4. 4 giorni fa · The Martian is a 2015 science fiction film directed by Ridley Scott and starring Matt Damon. Drew Goddard adapted the screenplay from the 2011 novel of the same name by Andy Weir. It also stars Jessica Chastain, Jeff Daniels, Kristen Wiig, Chiwetel Ejiofor, Sean Bean, Michael Peña, Kate Mara, Sebastian Stan, Aksel Hennie, Mackenzie Davis ...

  5. 4 giorni fa · Once again we’re getting a clean-shaved look for Lex Luthor in the upcoming ‘Superman’ film, with Nicholas Hoult embodying the supervillain

  6. 3 giorni fa · Groundhog Day is a 1993 American fantasy romantic comedy film directed by Harold Ramis from a screenplay by him and Danny Rubin.Starring Bill Murray, Andie MacDowell, and Chris Elliott, it tells the story of a cynical television weatherman covering the annual Groundhog Day event in Punxsutawney, Pennsylvania, who becomes trapped in a time loop, forcing him to relive February 2 repeatedly.

  7. 6 giorni fa · The DIFFERENCE as you ask, is the fps ( the amount of blur at 48th sec 180 deg shutter of 24fps) opposed to 30, 60, or whatever else is introduced to digital film cameras. So basically, in the long run, YOU will create the new film look and commercial look based on what you shoot, edit and distribute to the world.