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A journalist takes his son with him to investigate pirate activity off the coast of Florida. But he gets stranded on a mysterious island--where he might not be alone. Director: Michael Ritchie | Stars: Michael Caine, David Warner, Angela Punch McGregor, Frank Middlemass. Votes: 4,718 | Gross: $15.72M.
Michael Brunswick Ritchie (November 28, 1938 - April 16, 2001) was an American film director. Ritchie was born in Waukesha, Wisconsin, the son of Patricia (née Graney) and Benbow Ferguson Ritchie. His family later moved to Berkeley, California, where his father was a professor of experimental psychology at the University of California at Berkeley and his mother was the art and music librarian ...
Michael Ritchie. Highest Rated: 100% Divine Madness (1980) Lowest Rated: 6% The Bad News Bears Go to Japan (1978) Birthday: Nov 28, 1938. Birthplace: Waukesha, Wisconsin, USA. Wisconsin-born ...
Mike or Michael Ritchie may refer to: Michael Ritchie (filmmaker) (1938–2001), American director, producer and writer. Michael Ritchie (artistic director) (born 1957), American theatre manager. Mike Ritchie, New Zealand national decathlon champion in 1979. Mike Ritchie (born 1959), Scottish footballer in 2006 Scottish Challenge Cup Final.
Work city: Newbury. Work county/state/province: Berkshire. Work country: GB. Work phone: 07984 519908. Work email address: mike.ritchie@fxcbrands.com. Telephone. Mobile phone: 07917 081266. Work phone: 07984 519908. I first got interested in wine through living in France, my father's Wine Society cIaret collection and Hugh Johnson's wine atlas ...
Michael Ritchie (1938) attended Harvard and entered the film business through television, where he directed legendary series such as The Man From UNCLE and Dr. Kildare as well as documentaries. As a feature director he has developed his very own slightly-documentary style with plenty of room for humour.
Interview with Paul Mazursky (1980) Roger Ebert | 1980-09-28. LOS ANGELES - Paul Mazursky, in 1980, is very much an outsider in contemporary Hollywood. At a time when the bosses of the major studios are engaged in games of musical chairs, when few studio chiefs give any thought to long-term filmmaking philosophies.
