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1 ago 2001 · Bix Beiderbecke's virtuosity and originality with the cornet won admiration from Louis Armstrong and other jazz greats in the 1920s. He played with Paul Whiteman's orchestra in New York before ...
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist.. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz".
At the Jazz Band Ball è un album a nome The Dukes of Dixieland Featuring Pete Fountain, ripubblicato (terza pubblicazione in quanto le prime due erano uscite nel 1955 dalla X Records (LXA-1025) e dalla Vik Records (LX-1025) solo a nome The Dukes of Dixieland mentre un'altra ristampa, sempre a nome The Dukes of Dixieland Featuring Pete Fountain, uscì nel 1961 a cura della RCA Victor Records ...
12 feb 2019 · February 12, 2019. Features. On the afternoon of February 12th, 1924 at New York City’s Aeolian Hall Paul Whiteman and his Palais Royal Orchestra held a concert billed as An Experiment in Modern Music. Most memorable from the long program was the premiere of George Gershwin’s Rhapsody in Blue. The event was intended to be educational.
On peut apercevoir, Bix lui-même, accompagnant Bing Crosby au sein de l'orchestre de Paul Whiteman, dans un très bref film de 1928 tourné pour les "Fox Movitone News" (disponible sur le dvd " At the jazz band Ball ", Yazoo 514). Liens externes
Paul Whiteman being the most popular Jazz band leader of the Jazz Age is blamed for the racism in America that denied African-American musicians the credit that they deserved in the history of Jazz. If there is such a thing as the “King of Jazz” the title belongs to Louis Armstrong, although that may not have been clear to most people in ...
After several years of fame through radio, television, and musical performances, Paul Whiteman passed away from a sudden heart attack on Dec. 29, 1967. This biographical article is part of JAZZ.FM91’s supplementary research component to expand on The Journey to Jazz and Human Rights documentary podcast series.
