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Explore the work of Shinya Tsukamoto on the Arrow Video Channel: https://apple.co/2LotDJx One of the most distinctive and celebrated names in modern Japanes...
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6 mag 2020 · But Tsukamoto’s career flourished after Tetsuo, with a series of fiercely independent and controversial artistic works solidifying his reputation as one of Japan’s leading avant-garde filmmakers. He remains an enduring presence at international film festivals to this day, attending the screening of his most recent film Killing at Venice in 2018 before returning the following year as a ...
Shinya Tsukamoto con Killing firma un'elegia pacifista dimessa e violenta; legando la sua poetica iper-cinetica alla contemplazione di Kon Ichikawa dirige un jidai-geki che parla del Giappone di oggi, del riarmo voluto da Shinzō Abe, della disumanizzazione forse definitiva.
11 set 2023 · Intervista a Shinya Tsukamoto In concorso a Venezia 75 con Killing (Zan), il suo primo film di samurai, Shinya Tsukamoto è uno dei più importanti cineasti giapponesi contemporanei, con una carriera che è partita con la rivelazione di Tetsuo, nel 1989. Abbiamo incontrato Shinya Tsukamoto nell’appartamento che di solito affitta al Lido di ...
19 feb 2015 · Interview: Shinya Tsukamoto. By Marc Walkow on February 19, 2015. Sometimes it’s impossible for a filmmaker to escape being identified with one of their groundbreaking early works, no matter how many different genres or types of stories they may explore in subsequent years. A case in point is 55-year-old Japanese multi-hyphenate filmmaker ...
15 giu 2005 · Shinya Tsukamoto's Metal Vitality Chapter 1: Monster Boy. Shinya Tsukamoto's youth in 1960s Tokyo, steeped in pop culture, anime, monster movies and ghost stories. Plus his first attempts at filmmaking with his father's 8mm camera. Chapter 2: Savage Theatre. In a hand-made tent in the shape of a sea monster, Tsukamoto and his Kaiju Theater ...
23 ott 2002 · 23 October 2002. by Kuriko Sato. One of the most important names in contemporary Japanese cinema, Shinya Tsukamoto has done groundbreaking work in arousing international attention for Japanese film. When his still powerful, independently made, black-and-white Tetsuo: the Iron Man (1989) toured an unprecedented number of festivals in the late ...
