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3 giorni fa · Dick Tracy (1990) – Sondheim wrote five songs for the film, while Danny Elfman composed the orchestral score. Dave Grusin. Heaven Can Wait (1978) – Buck Henry co-directed this film. Reds (1981) – additional music; Ishtar (1987) – Produced by; Ennio Morricone. Bugsy (1991) – Produced by; Love Affair (1994) – Produced by ...
5 giorni fa · This is a list of composers by name, alphabetically sorted by surname, then by other names. The list of composers is by no means complete. It is not limited by classifications such as genre or time period; however, it includes only music composers of significant fame, notability or importance who also have current Wikipedia articles.
2 giorni fa · The Shining is a 1980 psychological horror film [7] produced and directed by Stanley Kubrick and co-written with novelist Diane Johnson. It is based on Stephen King 's 1977 novel of the same name and stars Jack Nicholson, Danny Lloyd, Shelley Duvall, and Scatman Crothers.
2 giorni fa · Jerrald King Goldsmith (February 10, 1929 – July 21, 2004) was an American composer known for his work in film and television scoring. He composed scores for five films in the Star Trek franchise and three in the Rambo franchise, as well as for films including Logan's Run, Planet of the Apes, Tora! Tora!,
4 giorni fa · From Victorian London to the edge of the galaxy – the music of Hans Zimmer makes the heart pound and the imagination soar. Tonight, the CBSO salutes a giant among film composers, with music from Interstellar, Pirates of the Caribbean, Batman, Gladiator and more.
4 giorni fa · His first score for Tornatore was for the drama film Cinema Paradiso. The international version of the film won the Special Jury Prize at the 1989 Cannes Film Festival [110] and the 1989 Best Foreign Language Film Oscar. Morricone received a BAFTA award with his son Andrea, and a David di Donatello for his score.
2 giorni fa · Stephen Joshua Sondheim ( / ˈsɒndhaɪm /; March 22, 1930 – November 26, 2021) was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. [1] .
