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1 giorno fa · Coupled with real film grain and interesting, lived-in faces, including the inked-up rapper FYRE (Ognian Pavlov) as Kaloyan (Koko for short), this Instagram-lite aesthetic makes for arresting, dark visuals that complement Proxima competition entry Windless’ (Pavel G. Vesnakov, 2024) deep dive into contemporary Bulgarian life — stuck between a tragic past and the hollow promises of the future.
3 giorni fa · Pausing in the hallway, you can see that the doorways are framed in stone Gothic arches with tracery, continuing the architectural theme to the inside of the house. Then it’s up to the roof, bit of a climb but worth it for the views. You can see for miles and also come close up to the stone tracery of the façade.
4 giorni fa · The Bikeriders - Un film di Jeff Nichols. Nichols racconta con approccio intimo e antiretorico una stagione della vita e della storia americana. Con Austin Butler, Jodie Comer, Tom Hardy, Michael Shannon (II), Mike Faist. Drammatico, USA, 2023. Durata 116 min. Consigli per la visione +13.
- Jeff Nichols
- 116 min
- Michael Shannon (II)
2 giorni fa · GODFREY CHESHIRE, CRITERION For two decades after its making, Edward Yang’s magisterial A Brighter Summer Day was more an alluring legend than a known presence for American cinephiles. Passed over by festivals, including Cannes and New York, after its completion in 1991, the four-hour film gradually began to circulate in specialized venues and among critics, with the result that it was named ...
2 giorni fa · It is obvious that Kinds of Kindness is a very indulgent film; an almost 3 hour film that investigates the cruel acts that are the result of the human need for approval. However, Kindness is utterly enthralling in its mysteries which are underscored by a deeply perturbing and resonant score by Jerskin Fendrix.
1 giorno fa · Kill: non-stop crowdpleasing carnage. Nikhil Nagesh Bhat’s ultraviolent spectacle employs some tiresome action movie tropes, but keeps the thrills coming with its electric fight scenes. An hour into Nikhil Nagesh Bhat’s film, the title finally appears onscreen – just after a major traumatic event. Hero Amrit (Lakshya) takes a leap in his ...
At other times, we observe everything from a third, ‘unwelcome’ person’s perspective, with shots that linger ‘awkwardly’ at doorways or from a distant corner of the room that is also coincidentally a perfect location for a cctv camera. It’s almost Fincher, but a bit more unrestrained and stylistic.
