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  1. 21 ore fa · jeromereviews1994 Drama, Horror July 8, 2024 3 Minutes. A classmate introduces teenage Owen to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack. I Saw The TV Glow is directed by Jane Schoenbrun who previously directed We’re All ...

  2. 21 ore fa · BY Allie Gregory Published Jul 8, 2024. Acclaimed director Jane Schoenbrun has had an immaculate run with their first two feature films, We're All Going to the World's Fair and this year's I Saw ...

  3. 4 giorni fa · A strange, disquieting and daring piece of cinema that is as audacious as it is unsettling, I Saw the TV Glow is a major achievement that springs from the unconventional but exceptionally gifted mind of one of the great artists of their generation.

  4. 5 giorni fa · The film follows high school misfit Owen, played by Justice Smith, and his unlikely companionship with the iconic Brigette Lundy-Paines character, Maddy. Without giving too much away, Maddy leads Owen on a passage of self-discovery through the metaphor of an ominous TV series, “The Pink Opaque.”

  5. 4 giorni fa · Film Review: 'I Saw the TV Glow'. Whilst the slow and meditative pace, neon lighting, and uncomfortable, violent, and deeply metaphoric visuals feel like Refn’s Only God Forgives, the film bares similarity to something like Beau is Afraid in its use of surrealist horror to construct the protagonist’s perspective on the world and emphasise ...

  6. www.yahoo.com › entertainment › saw-tv-glow-tops-list"I Saw the TV Glow" - Yahoo

    4 giorni fa · I Saw the TV Glow” is a uniquely creative, emotionally devastating work that tops my list so far. Set in the mid-90s, two teenagers bond over a cheesy television show that will remind...

  7. 3 giorni fa · Welcome back to Hacking Cinema, a publication about movies and whatever else I want to talk about, which today is going to be music! Today’s movie of interest is I Saw the TV Glow, Jane Schoenbrun’s A24-produced second feature about television’s ability to liberate, the discovery and suppression of queer identities, and the unimaginable horrors of boredom that haunt the American suburbs.