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2 giorni fa · In a Violent Nature pays homage to '80s slashers, creating a slow killer vibe with eerie sound design and natural ambiance.; The film blurs the line between man and beast, with protagonist Johnny ...
Official Discussion. Summary: When a group of teens takes a locket from a collapsed fire tower in the woods, they unwittingly resurrect the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year old crime. The undead killer soon embarks on a bloody rampage to retrieve the stolen locket, methodically slaughtering anyone who ...
1 giorno fa · Rating: B. Dir: Kevin Stevenson Star: Holly Blair, Gustavo Cintra, Sara Catherine Bellamy a.k.a. A Girl Upstairs. This is probably one of those films where you’re best going in, with as little information as possible. Skip the trailer. Ideally, don’t read the synopsis. Because the less you know, the more the resulting journey is going to be ...
1 giorno fa · The Revenge of Frankenstein [1958] The Children [1980] Maniac Cop 2 [1991] – USA video premiere. Silent Predators [1999] – TV Movie A Tale of Two Sisters [2003] The Lost [2006] – Another Hole in the Head Genre Film Festival The Happening [2008] Animal [2014] – Los Angeles – premiere. Inner Demons [2014] – Portland Horror Film Festival
5 giorni fa · Mary Shelley’s Frankenstein is a captivating gothic horror film that stays true to the iconic novel, exploring themes of science, morality, and the human condition. The movie features a star-studded cast, powerful performances, and haunting visuals, making it a timeless adaptation with enduring cultural impact.
3 giorni fa · あらすじ. 被爆を受けた細胞の研究のために広島を訪れたボーエン博士と女医の季子は、驚くべき早さで成長する謎の少年を引き取る。 彼はドイツのフランケンシュタインだと判明するが、食物を求めて日本中を荒らし回る。 一方、地底怪獣・バラゴンが突如日本に出現し…。 監督. 本多猪四郎. 脚本. 馬淵薫. 出演者. ニック・アダムス. 高島忠夫. 水野久美. ピーター・マン. 土屋嘉男. 志村喬. 田島義文. 動画配信. 関連記事. >>動画配信サービスの詳しい情報を見る. 2024年5月更新：最新の配信状況は各サイトでご確認ください. 『フランケンシュタイン対地底怪獣（バラゴン）』に投稿された感想・評価. すべての感想・評価. ネタバレなし.
4 giorni fa · The now snipped subtitle was an ode to Mary Shelley’s Frankenstein; or, The Modern Prometheus, which Skolnik thought about often while formulating her own meta-narrative skeleton. “What I like about Shelley’s structure is that you can’t trust any of the information, because by the time it reaches the reader it’s been through too many hands,” the writer explains.
