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1. hotcorn.com › it › filmMemoria, Tilda Swinton e il suono perduto | HotCorn.com

   hotcorn.com › it › film

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   4 giorni fa · Che il suono e di conseguenza l’esperienza, oltre il linguaggio, siano il centro portante di Memoria – ultimo film del regista thailandese Apichatpong Weerasethakul e in streaming su MUBI – si capisce non solo dal fatto che la prima parola viene sussurrata dopo dieci minuti, che un rumore costante è l’assoluto protagonista, ma ...

2. www.bfi.org.uk › sight-and-sound › reviewsGrand Tour review: a seductive ode to cinema | Sight and Sound -...

   www.bfi.org.uk › sight-and-sound › reviews

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   4 giorni fa · In a concept reminiscent of Apichatpong Weerasethakul’s Mysterious Object at Noon (2000), Gomes and his co-writers, Telmo Churro, Maureen Fazendeiro and Mariana Ricardo, conceived the script while zig-zagging across Southeast and East Asia together with the cinematographer Sayombhu Mukdeeprom (who also frequently worked with ...

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     youtube.com

     The World of Apichatpong Weerasethakul | Trailer | May 4-16

     2 mag. 2023

     4.5K visualizzazioni

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     youtube.com

     Memoria Q&A with Apichatpong Weerasethakul

     10 lug. 2023

     3.5K visualizzazioni

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     32:21

     youtube.com

     Blissfully Yours Q&A with Apichatpong Weerasethakul

     25 lug. 2023

     1.9K visualizzazioni

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4. www.screendaily.com › reviews › viet-and-nam-cannes-review‘Viet And Nam’: Cannes Review | Reviews | Screen

   www.screendaily.com › reviews › viet-and-nam-cannes-review

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   5 giorni fa · Comparisons to Apichatpong Weerasethakul’s filmography, from Blissfully Yours (2002) and Tropical Malady (2004) through to Cemetery Of Splendour (2015), are inevitable given Truong’s emphasis...

5. www.repubblica.it › spettacoli › cinema‘Grand tour’, la bellezza delle immagini tra una voce fuori campo...

   www.repubblica.it › spettacoli › cinema

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   5 giorni fa · Non a caso la fotografia è firmata da tre persone: Rui Poças, Sayombhue Mukdeeprom e Gui Liang: il secondo è thailandese ed è collaboratore fisso del regista thai Apichatpong Weerasethakul ...

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7. www.bfi.org.uk › sight-and-sound › reviewsAll We Imagine as Light review: a poetic Mumbai tale

   www.bfi.org.uk › sight-and-sound › reviews

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   1 giorno fa · The surreal shift recalls the transcendentalist tendencies embraced, to varying degrees, by other Asian filmmakers such as Apichatpong Weerasethakul or Lav Diaz. These directors are also prone to exploring and magnifying the disjuncture between sound and image, something Kapadia plays with in those opening scenes.

8. www.scmp.com › lifestyle › entertainmentViet and Nam: a brave, abstract expression of a nation’s trauma

   www.scmp.com › lifestyle › entertainment

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   Quy, who adopts the same slow-burn, spiritual approach as celebrated Thai director Apichatpong Weerasethakul, has a keen eye for an image: the two lovers lying naked on a coal heap; the sight...

9. depauliaonline.com › 70873 › artslife“I Saw the TV Glow” Review: Nostalgia and queer identity - The...

   depauliaonline.com › 70873 › artslife

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   1 giorno fa · Film & TV. “I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama. Robin Pett, Contributing Writer • May 26, 2024. Mara Logan. In the films of director Jane Schoenbrun, screens and the media displayed on them act as a separating force between the “real” world and the ...