Risultati di ricerca
3 giorni fa · Au hasard Balthazar. 1966. 2.5K. 2K. 204. 7.2. Ma note. Écrire une critique. Voir le film. Film de Robert Bresson · 1 h 35 min · 24 mai 1966 (France) Genre : Drame. Groupe : Au hasard Balthazar. Pays d'origine : France, Suède. Fiche technique. Les tribulations d'un âne dans les Landes des années 1960, prétexte à la peinture des travers humains.
- (2,5K)
- Anne Wiazemsky
- Robert Bresson
4 giorni fa · Robert Bresson’s Au Hasard Balthazar (1966) and Jerzy Skolimowski’s EO (2022) both tell emotionally compelling, immersive stories that prominently feature donkeys. Bresson’s film follows the titular Balthazar as he passes through the ownership of various humans who mistreat and abuse him.
4 giorni fa · Jean-Luc Godard said that Au Hasard Balthazar “sums up the world.” But what did he mean by that? This film methodically shows the complexity of the world and the inherent suffering that seems to come with existing in it.
2 giorni fa · Film. De Robert Bresson. Avec Anne Wiazemsky, François Lafarge, Nathalie Joyaut, Philippe Asselin, Walter Green, Jean-Claude Guilbert, Pierre Klossowski. Date de sortie 25 mai 1966. Année de...
3 giorni fa · The new Senses of Cinema features Becoming Nonhuman, a dossier including essays on Robert Bresson’s Au hasard Balthazar (1966) and Jerzy Skolimowski’s EO (2022), Michelangelo Antonioni’s Blow-Up (1966) and Hlynur Pálmason’s Godland (2022), and the work of Lucien Castaing-Taylor and Véréna Paravel.
3 giorni fa · La vie de Marie, la petite fille qui fut son premier propriétaire, ne sera pas plus réussie : incomprise de ses parents, elle tentera à son tour de survivre à la cruauté du destin…. Audio non déterminé. Origine : France. Durée : 1h32. Année de production : 1966.
3 giorni fa · Kieckhefer, ‘Au Hasard Balthazar’ at The Cinematograph But within the transcendent world-view of Bresson all this alienness and unknowability simply doesn't matter. Because all of it, all the humans, all the animals, everything, is all wrapped up in the grace of the transcendent, which he viewed essentially as a Catholic universe of a personal God, but is open to many other spiritual ...
