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  1. 6 giorni fa · Jane Schoenbrun, regista e sceneggiatrice del nuovo film horror di A24 I Saw the TV Glow, condivide dettagli su una diversa conclusione girata e su un possibile sequel. La storia del acclamato I Saw the TV Glow segue gli adolescenti Owen (Justice Smith) e Maddy (Brigette Lundy-Paine), che si legano attraverso una serie televisiva degli anni ’90 chiamata The Pink Opaque.

  2. 2 giorni fa · Now, Schoenbrun has made a new film called I Saw the TV Glow , which follows two suburban teens who get emotionally enmeshed in a fictional '90s TV show called The Pink Opaque. The result is a ...

  3. 4 giorni fa · The beautiful thing about I Saw the TV Glow that makes it such a powerful, sincere, unsettling, and endearing film is in the way that it is quietly, but also sonorously, a trans allegory. To show that, here we are, some two thousand words into this review, and this is the first mention of what is the main point of the film.

  4. 1 giorno fa · Film & TV. “I Saw the TV Glow” Review: Nostalgia and queer identity intersect in Jane Schoenbrun’s new psychological horror-drama. Robin Pett, Contributing Writer • May 26, 2024. Mara Logan. In the films of director Jane Schoenbrun, screens and the media displayed on them act as a separating force between the “real” world and the ...

  5. 1 giorno fa · #isawthetvglowThe latest film from Director Jane Schoenbrun is full of interpretation and hidden meaning. It is truly a film of the modern era, and for that ...

    • 12 min
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    • Tsunami Studios
  6. 4 giorni fa · May 23, 2024. Written By Maxance Vincent. No film will ever capture the off-kilter vibes of 1990s pieces of media destined for children quite like Jane Schoenbrun’s I Saw the TV Glow. If anything, Schoenbrun perfectly understands the unsettling shows and movies that were burned upon children’s retinas as they were subjected to ...

  7. 5 giorni fa · Jane Schoenbrun’s magnificent I Saw the TV Glow is a suburban-set semi-hallucinatory, semi-body horror piece of magical realism. Yet the film feels definitively lucid, articulating with striking poise a story about fluid identity and the repressive external forces that work to render that fluidity categorical.