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  1. 3 giorni fa · Biggest box-office bombs. The following is a partial list of films that lost the most money, based on documented losses or estimated by expert analysis of various financial factors such as the production budget, marketing and distribution costs, gross box-office receipts and other ancillary revenues.

  2. 3 giorni fa · This process is still used today. Some of the best directors, like George Lucas, Christopher Nolan, and Stanley Kubrick, have cited Lang as an influential figure in their work. Image Credit: Buena ...

  3. 5 giorni fa · The third and fourth Avengers films ( Infinity War and Endgame) stand as the most expensive back-to-back film production, with combined production costs of over $1 billion, according to one of the directors. Inflation, filming techniques and external market forces affect the economics of film production. Costs rose steadily during the silent ...

  4. 1 giorno fa · A podcast posted every Sunday featuring extended interviews and discussions from Bookwaves, Art-Waves, and Bookwaves Artwaves Hour programs on KPFA, and newly digitized and edited archive interviews from the pre-digital Probabilities series dating back to 1977.

  5. 2 giorni fa · Kinski is a mad genius, and so is the character Fitzcarraldo. Don't miss this one! 5. Touching and heartbreaking, 1982's 'Sophie's Choice' is certainly one of director Alan J. Pakula's best cinematic triumphs. However, the true magic in this film is produced by the actress who plays the title character Sophie.

  6. 1 giorno fa · US$ 6 million [9] Box office. US$6.7 million [8] Fanny and Alexander ( Swedish: Fanny och Alexander) is a 1982 period drama film written and directed by Ingmar Bergman. The plot focuses on two siblings and their large family in Uppsala, [a] Sweden during the first decade of the twentieth century. Following the death of the children's father ...

  7. 3 giorni fa · He also pointed out that Zbigniew Rybczyński met outrage in 1982 when his film, “Tango,” won the Annecy Grand Prix; critics claimed that the methodology — which appears to be a type of stop-motion animation with flat photographs — didn’t qualify as animation. It went on to win the 1983 Oscar for Best Animated Short.