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  1. 21 ore fa · Protagonisti dell’edizione 2024, dal titolo L’ANIMALE CHE DUNQUE SONO, preso in prestito dal saggio postumo del filosofo francese Jacques Derrida, sono Claire Fontaine, Rä Di Martino, Jim Lambie, Liliana Moro, Giulia Piscitelli, Marta Roberti, Sissi ed Emilio Vavarella con opere che esplorano il senso dell’umano in un mondo sempre più governato da intelligenze artificiali.

  2. 1 giorno fa · It has become one of the most important philosophical archives in the world, and many French philosophers have started their careers by exploring it and using the works as jumping-off points – including Jacques Derrida, Paul Ricoeur and Maurice Merleau-Ponty. All because of the bravery of one Belgian priest.

  3. 21 ore fa · Das Buch "Schule des Südens" von Onur Erdur beleuchtet die intellektuellen Auswirkungen des Kolonialismus in Nordafrika auf französische Intellektuelle wie Pierre Bourdieu, Jacques Derrida und ...

  4. 21 ore fa · Édition raisonnée des grands intellectuels français. Plusieurs maisons d’édition, en premier lieu le Seuil, publient des « bibliothèques », ou collections spécifiques, rassemblant des archives ou des cours de penseurs prestigieux, jusqu’ici inédits. En commençant par ceux de Derrida et Ricœur, après Althusser et Foucault.

  5. 1 giorno fa · Protagonisti dell’edizione 2024, dal titolo L’ANIMALE CHE DUNQUE SONO, preso in prestito dal saggio postumo del filosofo francese Jacques Derrida, sono Claire Fontaine, Rä Di Martino, Jim ...

  6. 21 ore fa · Summary. Animals have prowled literature from its beginnings in the ancient world through medieval bestiaries and out from the margins of the novel in the modern era. In the late 20th and early 21st centuries, animals’ literary presence has generated increasing critical interest. Animal studies, a relatively new interdisciplinary field, calls ...

  7. 21 ore fa · Meanwhile, Derrida was left to muse on what Nietzsche meant when he had written in one of his notebooks: ‘I have forgotten my umbrella.’ Colli and Montinari were no doubt naïve to think that by letting Nietzsche ‘speak for himself’, through revealing the entirety of his published and unpublished oeuvre, facile interpretations of Nietzsche would disappear.