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4 giorni fa · While film scholar Todd Kennedy interprets it in terms of feminist film theorist Laura Mulvey's conception of the male gaze, arguing that the shot "lasts so long as to become awkward—forcing the audience to become aware of (and potentially even question) their participation in the gaze", other critics see it as inherently subverting the ...
1 giorno fa · Andrea Dworkin was born on September 26, 1946, in Camden, New Jersey, to Harry Dworkin and Sylvia Spiegel. Her father was the grandson of a Russian Jew who fled Russia when he was 15 years old in order to escape military service, and her mother was the child of Jewish immigrants from Hungary. [22] She had one younger brother, Mark.
2 giorni fa · Descargar PDF. Pocos textos causaron tanto impacto en los estudios de cine como Placer visual y cine narrativo 1, que Laura Mulvey publicó en 1975 en la revista Screen. Desde entonces, este ensayo ha sido incluido en antologías de diversas lenguas, en un trayecto que ya ha tocado generaciones de cineastas y estudiosos de cine en todo el mundo.
4 giorni fa · Sachs “has always eluded easy labeling,” wrote Ren Scateni at Hyperallergic a few years ago. “Since her first short films in the late ’80s—the black-and-white character study Still Life With a Woman and Four Objects and the Laura-Mulvey-inspired observation on gendered bodies that is Drawn and Quartered—she’s eschewed traditional film grammar.
1 giorno fa · Martin Heidegger ( / ˈhaɪdɛɡər, ˈhaɪdɪɡər /; [1] German: [ˈmaʁtiːn ˈhaɪdɛɡɐ]; [1] 26 September 1889 – 26 May 1976) was a German philosopher who is best known for contributions to phenomenology, hermeneutics, and existentialism. He is often considered to be among the most important and influential philosophers of the 20th ...
5 giorni fa · Cineflagey by Cinematek & Kinograph. Penthesilea: Queen of the Amazons (Laura Mulvey, Peter Wollen) Essayistes spécialisés dans le cinéma d'avant-garde, Laura Mulvey et Peter Wollen prennent la caméra le temps d'un film pour donner leur version d'un « contre-cinéma ».
3 giorni fa · Laura Mulvey se rend compte que tous les regards du film satisfont le regard masculin ou le "male gaze". Par le biais du regard de la caméra, des spectateurs et des personnages, les femmes sont placées systématiquement en position d'objets, sont fantasmées, possédées. Le "male gaze" et la femme "objet", by aenl.co
