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  1. 4 giorni fa · Louis Schwizgebel. Date. 25 May 2024. Time. 7:30 PM. Venue. Thailand Cultural Centre, Main Hall. Venue. Orchestra. Royal Bangkok Symphony Orchestra (RBSO) Conductor. Douglas Bostock. Soloist. Louis Schwizgebel. Programme. Hector Beriloz: Overture "The Roman Carnival" Camille Saint-Saëns: Piano Concerto No. 2 in G minor, Op. 22.

  2. www.langlangofficial.comLANG LANG

    4 giorni fa · With this album, Lang Lang presents a treasure trove of musical discoveries: Saint-Saëns’s Piano Concerto No. 2, recorded with a stellar cast, the Gewandhausorchester and Andris Nelsons, is for Lang Lang a true romantic masterpiece that rivals the greats like Rachmaninoff or Liszt.

    • Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns Camille Saint-Saëns1
    • Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns Camille Saint-Saëns2
    • Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns Camille Saint-Saëns3
    • Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns Camille Saint-Saëns4
    • Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns Camille Saint-Saëns5
  3. 4 giorni fa · Lang Lang is not aided in this recording, despite the number of recording engineers with a balance between orchestra and piano. But the repertoire is wonderful, and he sets about delving into the menagerie with his wife, pianist Gina Alice, for Saint-Saëns' Le Carnaval des animaux.

  4. 4 giorni fa · Mannheimer Philharmoniker, dir. Boian Videnoff

    • 1 min
    • 18
    • Biagio Consoli
  5. 5 giorni fa · Recording: Franciele PauvelsTuba: Vander Luiz Hipolito MachadoPiano: Andrea PuppiLocal: Casa da Cultura de Itapoá/SC

  6. 4 giorni fa · Saint-Saënslyrical abilities are nowhere showcased to finer effect in this Symphony than in the two middle movements. The second, called “Marche-Scherzo,” is perhaps the least aggressive march imaginable: its main theme is far more pastoral than militant.

  7. 5 giorni fa · Opéra en quatre actes et six tableaux de Camille Saint-Saëns, sur un livret de Pierre-Léonce Détroyat et Armand Sylvestre. Créé à l’Opéra de Paris le 5 mars 1883