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4 giorni fa · In this new reading of 2001, the monolith is used as a touchstone for considering a dozen tangents into iconoclastic cinema, the human and simian response to enigma, and the mind-bending idea that a film can actually be what it observes.
2 giorni fa · Telepathy. Albert Francis " Al " Simmons, better known as Spawn, is an antihero appearing in a monthly comic book of the same name published by American company Image Comics, as well as in a number of films, television series, and video game adaptations set in the Image Universe. Created by Todd McFarlane, Spawn first appeared in Spawn #1 (May ...
2 giorni fa · Doch das Auto im italienischen Survival-Sci-Fi-Thriller Monolith – No Way Out ist weder ein Alien noch von einer übernatürlichen bösen Macht besessen. Stattdessen wird futuristische Technik ...
1 giorno fa · Egzorcyzm. The Exorcism. 2024. 1h 33m. 722. chce zobaczyć. Polska Premiera za 15 dni. Anthony Miller (Russell Crowe) jest aktorem, który przyjmuje rolę w horrorze mimo plotek, że nad produkcją wisi klątwa, a poprzedni kandydat do roli popełnił samobójstwo....
- Joshua John Miller
- Russell Crowe
1 giorno fa · Hoffentlich nimmt sich Volkswagen diesen Film nicht zum Vorbild für ein kommendes "ID"-Modell. Denn was als ultrasicheres, komfortables Traumauto angepriesen wurde, entpuppt sich für Tucker & Dale-Schönheit Katrina Bowden und ihren kleinen Filmsohn zu einer perfiden Todesfalle. Mittlerweile acht Jahre auf dem Buckel, hat sich BUSCH MEDIA GROUP dieses High-Tech-Thrillers angenommen. Ob sich ...
1 giorno fa · With echoes of recent, even smaller-scale sci-fi chiller Monolith, this isn’t quite the creature feature you might expect. While In Vitro plays coy with its true nature and is perhaps too hasty in pulling back the curtain, it’s nevertheless a promising new entry into the ever-increasing canon of films ill at ease with how humanity is abusing technology designed to course-correct our self ...
4 giorni fa · One biographer calls Monolith Adams's most significant photograph because the "extreme manipulation of tonal values" was a departure from all previous photography. Adams's concept of visualization, which he first defined in print in 1934, became a core principle in his photography.
