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2 giorni fa · The Cultural Policy Hub (the Hub) at Toronto’s OCAD University is an intriguing new player on the culture scene. Leveraging its connections among government, academia, and the culture sector, the Hub aims to inspire policy-making that is inclusive, informed, and integrated.
3 giorni fa · Study with the Open College of the Arts. The OCA is a non-profit educational charity whose charitable purpose is to widen participation in arts education. Whatever your goal, whatever your circumstances, achieve with flexible distance-learning courses from the Open College of the Arts.
2 giorni fa · The exhibition challenges viewers to interrogate the ways in which their temporal identity evolves and how culture shapes our evolution of desires, influences our perceptions of self-worth, and distorts our understanding of what it means to be truly human. Curated by Megan Gosyne, L'Shya Hastings, Kai Hu, Yulim Jung and Sophie Sawicka Fuks.
3 giorni fa · Developing an Accessible Framework for WCAG Audit Reporting. The IDRC often conducts formal or informal audits of websites for accessibility under the Web Content Accessibility Guidelines, both internally and as part of our accessibility consulting work. We’ve used a variety of tools to document the results of these audits over the years.
2 giorni fa · Application Deadline: The successful applicant will have Indigenous citizenship, connection to an Indigenous community (First Nations, Inuit, Métis) and will have a commitment to Indigenous community development, partnership building, and growing OCAD University’s priority to decolonize and Indigenize art and design education.
3 giorni fa · Eligible submissions will be reviewed and adjudicated by the Toronto Lit Up selection committee, composed of Ayesha Chatterjee (past president, League of Canadian Poets), Ian Keteku (OCAD University), Samia Madwar (The Walrus) and Hazel Millar (Book*hug Press). HOW TO APPLY . Review the eligibility requirements
2 giorni fa · Introduction of Music of Surfaces from David: My work over the past years has been driven by the desire for a ‘visual music’ -- a playful bridge between sound and vision. Building that bridge, I have pulled apart music notations, seeking to understand how we use their simple 2-D geometry to create such complex, affective '4-D ...
