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2 giorni fa · Its restoration is something Thelma Schoonmaker, the 3-time Oscar-winning editor and Michael Powell’s widow, is very excited to talk about. The time feels just right for this conversation on “Peeping Tom.”
19 ore fa · His longtime editor, Thelma Schoonmaker, who eventually married Powell, also joined in with the reappraisals of the movie both in the US and, finally, in the UK. Today, Peeping Tom is considered a masterpiece of psychological horror, one that can favorably be compared to Psycho , if such a comparison must be made.
1 giorno fa · I had known that some of the screenings at the festival were accompanied by live question-and-answer sessions with film scholars, but I was so pleasantly surprised to learn that the screening Hameed and I got tickets to at 4pm that Saturday included a Q&A with the legendary film editor Thelma Schoonmaker, a frequent collaborator with Martin Scorsese since the 1980s.
3 giorni fa · Inside the Ring is the second part of the documentary and looks at the process of shooting Raging Bull’s fighting sequences, with interviews from Scorsese and director of photography Michael Chapman touching on how the decision was made to shoot the film in black and white as opposed to colour, as well as the challenges that editor Thelma Schoonmaker had.
5 giorni fa · The first features Scorsese and editor Thelma Schoonmaker, recorded in 1990. The second is from 2004, featuring a range of voices including director of photography Chapman, producers Robert Chartoff and Irwin Winkler, casting director Cis Corman, music consultant Robbie Robertson, actors Teresa Saldana and John Turturro, and sound effects editor Frank Warner.
5 giorni fa · That’s true in the editing suite, too. Martin Scorsese’s invaluable editor, Thelma Schoonmaker, once memorably offered that, ‘Marty’s movies aren’t violent until I cut them,’ perfectly encapsulating the too-oft-unsung heroism of those who massage the mess and noise into perfection.
19 ore fa · Whatever the reasons, when the recognition came it was largely centred on Powell. In his superb biography of Pressburger, Kevin Macdonald points out that when the first NFT retrospective was shown in 1971,”‘it was called: ‘Michael Powell (and in much smaller letters) in collaboration with Emeric Pressburger’ and the photograph on the cover of the programme bore a picture of Michael.”
