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  1. 1 giorno fa · After seeing the map for the location was zoned as light industrial, Lucas named the group Industrial Light and Magic, [13] which became the Special Visual Effects department on Star Wars. Alongside Dykstra, other leading members of the original ILM team were Ken Ralston, Richard Edlund, Dennis Muren, Robert Blalack, Joe Johnston, Phil Tippett ...

  2. 16 ore fa · Instead Spielberg sought the best effects supervisors in Hollywood. He brought in Stan Winston to create the animatronic dinosaurs; Phil Tippett (credited as Dinosaur Supervisor) to create go motion dinosaurs for long shots; Michael Lantieri to supervise the on-set effects; and Dennis Muren of Industrial Light & Magic (ILM) to do the digital ...

  3. 3 giorni fa · 04. Davy Jones – Pirates of the Caribbean: Dead Man’s Chest (2006) The response of ILM’s Chief Creative Officer John Knoll is not surprising given that the character in question was a significant reason why he won an Oscar for Best Visual Effects. “Davy Jones [of course],” he laughs. “I may be slightly biased, though.”.

  4. 2 giorni fa · Return of the Jedi received Oscar nominations for its art direction, sound, sound effects editing, and John Williams’s original score, and received a Special Achievement Award for the spectacular visual effects created by Richard Edlund, Dennis Muren, Ken Ralston, and Phil Tippett.

  5. 4 giorni fa · „Mad God“ wirkt so, als hätte Tippett die in seiner Bastlergarage kreierten Geschöpfe und Landschaften einfach in den Film gekippt ... Das Regiedebüt des Stop-Motion-Genies Phil Tippett

  6. 3 giorni fa · When the inside of the costume became hot, visual effects artist Phil Tippett, who designed most of the film's creatures, would use a hair dryer to blow cool air through the mouth of the Ackbar mask to keep Rose comfortable.

  7. www.visions.de › filme-und-serien › mad-godGenial grotesk

    5 giorni fa · Phil Tippett ist eine Legende. Der 72-Jährige schuf die Tricktechnik für einige der größten Hollywood-Produktionen. Die Monster in „Star Wars“, der amoklaufende Überwachungsroboter in „Robocop“, die Rieseninsekten in „Starship Troopers“ – unzählige Kreaturen kreierte und animierte er mit seinem Team in mühevoller Handarbeit, Bild für Bild.