Risultati di ricerca
2 giorni fa · Bach’s assimilation of both Pachelbel’s and Johann Michael Bach’s writing can be seen in “Was Gott tut, das ist wohlgetan,” BWV 1116. The setting relies on the Central German concept of fore-imitation, and through the first 25 measures and the presentation of the five phrases of the chorale in the soprano it maintains the placid 8th-note movement of Pachelbel.
4 giorni fa · Klassik. Kantate vom 26.5.2024. Stand. 21.5.2024, 8:04 Uhr. Johann Sebastian Bach: "O heilges Geist- und Wasserbad" BWV 165. Arleen Augér (Sopran) Alyce Rogers (Alt) Kurt Equiluz (Tenor)...
5 giorni fa · Research on Johann Sebastian Bach’s life and works and on the extended Bach family of musicians belongs among the central tasks of the Leipzig Bach Archive. › to the research institute. The Library - A unique collection.
3 giorni fa · It describes a vision to “remove barriers of exclusivity around classical choral music and open the doors of sacred places — both historic architecture and human hearts — with Bach’s abiding light.”. Johann Sebastian Bach (1685-1750) was a devout Christian who composed more than 200 sacred cantatas for the Lutheran church in Germany ...
2 giorni fa · Hymn and melody. Liebster Gott, wenn werd ich sterben, BWV 8, is one of Bach's church cantatas for the 16th Sunday after Trinity (Trinity XVI). [16] [17] The prescribed readings for the Sunday were from the Epistle to the Ephesians, praying for the strengthening of faith in the congregation of Ephesus ( Ephesians 3:13–21 ), and from the ...
5 giorni fa · Konzert der Reihe "Johann Sebastian Bach und seine Städte" vom MDR Musiksommer 2009 : Cantata BWV 9 [] Gotthold Schwarz: Bach Consort Leipzig: Soprano: Miriam Meyer; Soprano: Gesine Adler; Alto: Susanne Krumbiegel; Tenor: Markus Brutscher; Bass: Gotthold Schwarz: MDR Figaro: Jul 20, 2009: 2-CD / TT: 99 min
4 giorni fa · Spectacle. 20 février 2019. Ce que Bach doit à Michael Volle. « S’il y a quelqu’un qui doit tout à Bach, c’est Dieu » : les mots de Cioran nous trottent dans la tête en sortant du Théâtre des Champs-Elysées. Et Bach, que doit-il à Michael Volle ?
