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  1. 1 mag 2024 · In his De inventione et usu musicae, 1481–83, Flemish music theorist Johannes Tinctoris stated that the gittern was the same “tortoise-like shape” as the lute, “though it [the gittern] is much smaller”, and that the gittern had “the same tuning and method of contact with the strings” as the lute, i.e. they were both ...

  2. 5 giorni fa · The motet was composed before 1474 and names many important musicians of the time, including Antoine Busnois, Johannes Tinctoris, Johannes Regis, Ockeghem and Guillaume Du Fay. The motet may refer to the singer Pasquier Desprez, but Josquin is a likelier candidate.

  3. 14 mag 2024 · Global Chant Database. A searchable database of plainchant melodies and texts included in medieval sources and new editions. It serves as a simple tool for searching information on Gregorian chant and other medieval monody including sacred songs. Johannes Tinctoris: Complete Theoretical Works.

  4. 5 giorni fa · Johannes Tinctoris The Art Of Counterpoint 1477 publication waiting to mesmerize you. Johannes Tinctoris The Art Of Johannes Tinctoris The Art OfJehan le Taintenier or Jean Teinturier, Latinised in Johannes Tinctoris (aka Jean de Vaerwere) (c. 1435 – 1511) was a Renaissance composer and music theorist from the Low Countries.He is known to have

  5. 10 mag 2024 · Pio asserts that it is implausible that the vihuela de arco (which possibly arrived in Rome and Naples after 1483–1487, since Johannes Tinctoris does not mention it before this time) underwent such a rapid evolution by Italian instrument makers – not Venetian (circumstances specifically excluded by Lorenzo da Pavia), nor Mantuan or Ferrarese (as evidenced by Isabella and Alfonso I d'Este's ...

  6. 12 mag 2024 · View credits, reviews, tracks and shop for the 2008 CD release of "Beatissima Beatrix" on Discogs.

  7. 17 mag 2024 · The first description of bowed polyphonic music for the viol is in a treatise by Johannes Tinctoris, and the first development of its repertoire can be traced back to Sylvestro di Ganassi dal Fontego in the mid-sixteenth century. This technique of chordal writing with heavy use of ornamentation became integral with the French viol ...