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  1. en.wikipedia.org › wiki › Tahmasp_ITahmasp I - Wikipedia

    5 giorni fa · Tahmasp I (Persian: طهماسب یکم, romanized: Ṭahmāsb or تهماسب یکم Tahmâsb; 22 February 1514 – 14 May 1576) was the second shah of Safavid Iran from 1524 until his death in 1576. He was the eldest son of Shah Ismail I and his principal consort, Tajlu Khanum. Tahmasp ascended the throne after the death of his father on 23 ...

  2. 4 giorni fa · He and his successors, Shah Tahmasp I and Shah Abbas I became patrons of the Persian Safavid art. Court manufactories were probably established by Shah Tahmasp in Tabriz, but definitely by Shah Abbas when he moved his capital from Tabriz in northwestern to Isfahan in central Persia, in the wake of the Ottoman–Safavid War (1603–18) .

  3. en.wikipedia.org › wiki › MashhadMashhad - Wikipedia

    3 giorni fa · After two decades, Shah Tahmasp I succeeded in repelling the enemy from the town again in 1528. But in 1544, the Özbegs again succeeded in entering the town and plundering and murdering there. The year 1589 was a disastrous one for Mashhad.

  4. 3 giorni fa · Tahmasp was noted to hire only the best craftsman, painters, and illuminators to perform this myriad of works reflecting the wealth and sophistication of the empire. Although only one part of 759 folios, 5 this page illustrates Buzurgmihr kneeling before King Anushirvan and writing advice for him.

  5. Many famous and renowned Persian carpets were woven during the long reign of Shah Tahmasp I. Perhaps the most famous carpet of this time is the Ardebil Carpets . The carpets were originally made in pair for the shrine of Sheikh Safi al-Din Ardebili by the order of Shah Tahmasp and one now is being kept at Victoria &Albert Museum in London and ...

  6. 23rd of May 1524. Shah Ismail I of Safavid Iran dies and is succeeded by his ten-year-old son, Tahmasp. The Qizilbash take control of the state.

  7. 5 giorni fa · Shah Tahmasp ordered to rewrite the Shahnameh (epic of the kings) of Ferdowsi the longest poem in the history of world literature and also to be illustrated with miniature paintings. The illustrations are principally representations of Shah Tahmasp's courtly environment. Women were depicted as well in the manuscripts.