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  1. 1 giorno fa · The purchase was soon followed by a remarkable series of keyboard works: the Two-Part Inventions and Three-Part Sinfonias and the first volume of the Well-Tempered Clavier (both of which first appeared in the Clavier-Büchlein vor Wilhelm Friedemann Bach of 1720), the French Suites (which first appeared in the Clavier-Büchlein vor Anna Magdalena Bach of 1722), and most probably the bulk of ...

  2. 3 giorni fa · Wilhelm Friedemann Bach (22 de noviembre de 1710 en Weimar - 1 de julio de 1784 en Berlín) fue el segundo de los veinte hijos del célebre compositor Johann S...

    • 11 min
    • Hombre Culto NS
  3. 2 giorni fa · As for the Trio by Wilhelm Friedemann Bach, its origin is even more unique. Written before 1740, it is written across a number of pages which carry counter-punctual efforts by Johann Sebastian and his son; Wilhelm Friedemann’s writing includes a Sonata for Two Flutes and Harpsichord, which is transcribed here for oboe – the pianist’s right hand taking on the role of the second flute.

  4. 1 giorno fa · Carl Philip Emanuel Bach (1714-1788) Sinfonia Wq. 182/5 in B minor for strings and continuo Pietro Antonio Locatelli (1695-1764) Concerto Grosso Op. 7/6 in E flat major (1741) Wilhelm Friedemann Bach (1710-1784) Concerto in F minor for harpsichord, strings and continuo Luigi Boccherini (1743-1805)

  5. 4 giorni fa · Wilhelm Friedemann Bach: Sechs Duette für zwei Flöten / Barthold Kuijken, Marc Hantai; Bach: Six Trio Sonatas / Robert King: The King’s Consort; Bach: Cantata No. 208 “Was mir behagt, ist nur die muntre Jagd” / Rudolf Lutz, J.S. Bach Foundation Orchestra; Queen of Baroque / Cecilia Bartoli

  6. 4 giorni fa · Klavierbüchlein für Wilhelm Friedemann Bach (1720): sort by NBA → V/5; Twelve Little Preludes: sort by BG → 36: 118; Neumeister Chorales by J. S. Bach (without BWV 601, 639, 719, 723, 737 and 751): sort by NBA → IV/9; Notebook for Anna Magdalena Bach (1722): sort by Name → Notebook A. M. Bach

  7. 2 giorni fa · Da wäre Wilhelm Friedemann (geboren 1710), wie sein Vater oft unangepass­t und eigenwilli­g, aber, besonders nach dem Tod des Vaters, weitaus weniger seelisch stabil. Bis ans Lebensende blieb er dessen Kompositio­nsstil treu, doch selbst bei ihm entdeckt man Elemente des neuen, zur Klassik hinführend­en Musikgesch­macks. Carl Philipp

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