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2 giorni fa · In my next blogpost we will consider the change of service and benefits that occur when a person trusts in Jesus Christ for salvation. We commenced with some lyrics by Bob Dylan, but we will conclude with some by Charles Wesley that encapsulate the truth that we have considered.
4 giorni fa · Jokerman. (Infidels, 1983) As selected by legendary reggae drummer Sly Dunbar. “Bob Dylan always does songs in different keys, like he’ll change three, four different keys in a song, and he will change the lyrics on the fly, so when we cut Jokerman, we recorded it and then we had a break overnight.
5 giorni fa · 83 years young -Happy Birthday, Bob Dylan! In 1965, Dylan plugged in and the world jolted. His decision to go electric at the Newport Folk Festival was like a bolt of lightning striking the musical landscape. "Like a Rolling Stone" roared through the speakers, and suddenly, folk rock was born. The purists may have gasped, but Dylan was always ...
5 giorni fa · Dylan has also been assured at writing complex story-telling songs, including “High Water (For Charley Patton)” from the 2001 album Love and Theft. One of Dylan’s best satirical songs is ...
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2 giorni fa · As far as I know, Bob never said much about the origins of ‘The Mighty Quinn’ other than "I don’t know what it was about" (liner notes to Biograph), but most experts agree that the title must be a reference to Anthony Quinn’s performance as an actual Eskimo in The Savage Innocents, a Nicholas Ray movie that will most certainly come across as offensive to modern progressive audiences ...
4 giorni fa · You know Jimmy — the sniper who blew you off your motorcycle in 1974 in Woodstock. Bob: He hit the bike, man, not me. Sniper my ass. Jesus: I’m going to need you to check your tone. Bob: I’m sorry Lord. It’s just that he wasn’t even at 200 yards. He’s more like a potshot expert than a sniper. And my divorce is killing me.
2 giorni fa · Stanley Brothers, ‘Man of Constant Sorrow’. With likely origins as a 19th-century Baptist hymn, “Man of Constant Sorrow” was revived by the Stanley Brothers in 1951; covered by Joan Baez, Bob Dylan, and Judy Collins in quick succession a decade later; and launched a full-on Americana revival with its prominent placement in the Coen ...
