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James Taylor – backing vocals (track 9) Kenny Rankin – whisper chorus (track 6) Robert De La Garza – whisper chorus (track 6) Skip Cottrell – whisper chorus (track 6) Technical personnel. Joni Mitchell – production, mixing; Larry Klein – mixing; Henry Lewy – engineering at A&M; Skip Cottrell – engineering at A&M
Wild Things Run Fast è l'undicesiomo album discografico della cantante canadese Joni Mitchell, pubblicato dall'etichetta discografica Geffen Records nell'ottobre del 1982. L'album si piazzò al 25º posto delle chart statunitensi, mentre il singolo (You're So Square) Baby, I Don't Care si classificò al 47º posto della Chart Hot 100 di Billboard
Joni Mitchell's Wild Things Run Fast: High Fidelity, January 1983. Wild Things Run Fast: Rip It Up, January 1983. Joni Mitchell: Evening Sun (Baltimore), January 4, 1983. Wild Things Run Fast: California Aggie, February 4, 1983. Joni looks at love from a different side now: Eau Claire Leader-Telegram, February 5, 1983.
Joni Mitchell's Wild Things Run Fast. by Sam Sutherland. High Fidelity. January 1983. Previews of Joni Mitchell's first album for Geffen Records hinted at a return to the rhapsodic bloom of 1974's "Court and Spark," her most popular recording to date.
December 6, 1982. Like artist Georgia O'Keeffe, a woman she admires, Joni seems stubbornly loyal to her muse. Perhaps it is a fidelity that springs from a recognition of the fickle nature of public acclaim. The artistic stops on Joni's artistic hegira in recent years have been in the exotic jazz territory, culminating with her arcane 1979 ...
3 set 2019 · Joni Mitchell. Wild Things Run Fast. London. 3 set 19 • Voto: Reggae. Pop Rock. Voti: 7. Media: 4,71. DeRango™: 25,81. Commenti: 6. Visite: 1393. "Wild Things Run Fast", come i cavalli che corrono imprigionati dentro il tubo catodico di un televisore nel dipinto che fa da copertina al primo lp in studio degli anni '80 della compositrice canadese.
Wild Things Run Fast is Joni Mitchell‘s eleventh studio album and her first for Geffen Records. Released in 1982, it represents her departure from jazz to a more 80s pop sound. The resulting world tour took Mitchell through the U.S., Europe, Asia and Australia.
