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  1. Wanna make something disappear? Misfile it! Podcast Paperwork. 2×3-mp-2017-michaelbellsmith-full

    • Michael Bell-Smith1
    • Michael Bell-Smith2
    • Michael Bell-Smith3
    • Michael Bell-Smith4
  2. Michael Bell-Smith is an assistant professor of new media at Purchase College, State University of New York. He was an Eyebeam resident in 2002. [2] Examples of his work have been shown at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. , at the New Museum of Contemporary Art in New York , and at the San Francisco Museum of Modern Art .

  3. Michael Bell-Smith (East Corinth, ME, 1978) lives and works in Accord, NY. He holds a BA in Semiotics from Brown University, Providence, RI, and an MFA from Bard College, Annandale-on-Hudson, NY. Selected exhibitions include: “Virtual Landscapes,” [Senne], Brussels, Belgium; “All Art is Virtual,” Thoma Foundation Art Vault, Santa Fe, NM ...

    • Michael Bell-Smith1
    • Michael Bell-Smith2
    • Michael Bell-Smith3
    • Michael Bell-Smith4
    • Michael Bell-Smith5
  4. www.artforum.com › features › michael-bell-smith-190345Michael Bell-Smith

    Michael Bell-Smith, Subterranean House (Oonce Oonce), 2007, still from a black-and-white video. FIVE YEARS AGO, music videos were specific things you saw in specific places. Working with music video meant engaging a big-budget, commercially motivated form that was strongly tied to the cable stations (MTV, BET, etc.) promoting it.

  5. Bell-Smith holds a BA in Art / Semiotics from Brown University and an MFA from Milton Avery Graduate School of the Arts at Bard College. He is the Co-Chair of the Film/Video program at the Milton Avery Graduate School of the Arts at Bard College. michaelbellsmith.com

  6. Michael Bell-Smith uses digital forms to explore contemporary visual culture and how it is mediated through popular technologies. His work often incorporates the visual vocabulary of the Internet, such as animated gifs and lo-resolution images, and references the aesthetics and semiotics of common computer programs such as Powerpoint or Web ...

  7. Through this endless scroll of pastel panoramas, Michael Bell-Smith raises questions about how digital technologies construct and represent space and depth. Can a 16-bit landscape truly capture a sense of place?