Risultati di ricerca
Guitarist. Vocalist. Songwriter. Actor. Co- producer. Instrument (s) Acoustic and electric guitar, vocals. James O. "Donnie" Dacus (born October 12, 1951) is an American guitarist, vocalist, actor, songwriter, and co- producer. He has been a member of the rock bands Chicago and Badfinger .
Guitarist and songwriter Donnie Dacus was born October 12, 1951 in Galena Park, Texas. He's noted for his work with Stephen Stills in the early 70s, and a controversial stint with the jazz-rock group Chicago from 1978-1980 (he also had a brief fling with acting, starring in "Hair" in 1979).
- October 12, 1951
Chicago 13 is the eleventh studio album by American rock band Chicago, released on August 13, 1979, by Columbia Records. Chicago 13 was the band's final release featuring lead guitarist Donnie Dacus, who had followed the late founding member, guitarist Terry Kath.
Accomplished guitarist Donnie Dacus was chosen, bringing his own distinctive style to the group's music. Prior to joining Chicago, Dacus had worked with both Roger McGuinn and Stephen Stills . Recording sessions took place both in Miami and Los Angeles that spring, after years of working at Guercio's Caribou Ranch in Colorado .
Don Dacus. Actor. Soundtrack. IMDbPro Starmeter See rank. Guitarist and songwriter Donnie Dacus was born October 12, 1951 in Galena Park, Texas. He's noted for his work with Stephen Stills in the early 70s, and a controversial stint with the jazz-rock group Chicago from 1978-1980 (he also had a brief fling with acting, starring in "Hair" in 1979).
- January 1, 1
- Actor, Soundtrack
- Galena Park, Texas, USA
- Don Dacus
31 dic 2019 · The Tribe From 'Hair' Reunites After 40 Years. Director Milos Forman (4th R) poses with the cast of his film "Hair", US actress Annie Golden (L), US actors Donnie Dacus (2nd L) and Treat...
15 dic 2023 · With new guitarist Donnie Dacus in place, Chicago rang further changes with their 12th album, Hot Streets, in 1978. Co-produced by the group with Phil Ramone, it was their first collection of all-new material to feature a non-numeric title, also to show the band on its cover (though they had been pictured breaking through their now-fabled logo on Chicago’s Greatest Hits three years earlier).
